S | Zahner

Hendrix Mexico Sculpture

August 15, 2016/in Art & Sculpture Public Art, Sculpture International, Mexico, Mexico City Hendrix + Studio Jan Hendrix S 2013 /by cmorris

Jan Hendrix Mexico Sculpture for Private Collection

Produced using milled plate-aluminum, this sculpture is a permanent installation in Central Mexico, one of several projects by artist Jan Hendrix produced by Zahner. Mr. Hendrix has worked with Zahner on numerous occasions for projects in the United States, Mexico, and Qatar.

Completed in 2013, the latest Jan Hendrix sculpture was commissioned by a private collector as a permanent installation on the client’s property. The human-scale sculpture includes a landscaped lighting system designed to accentuate the polished aluminum surface.

The material is a plate aluminum, polished to a near-mirror finish. The artist desired a highly reflective aesthetic for the surface. Many of the artist’s thick-cut metal designs were manufactured by Zahner using water jet cutting which gives the metal surface a matte edge. For this project, the artist desired a reflective edge. Zahner worked with the artist to develop a milling technique which prevented the need for additional buffing and polishing of the aluminum surface.

Milling the aluminum also gave the artist flexibility for how the cuts were removed from the material. Zahner worked collaboratively with Jan Hendrix through several different iterations, discovering that a special mill tip and machine speed gave the best finish. The softened edge makes the piece more approachable and touchable as a consideration of the artwork’s street-level presence. The final cut features a rounded bevel and a polished edge which gives the milled aluminum surface an aesthetic of liquid metal. Upon the artwork’s completion, Jan Hendrix mentioned that the chosen finish gave the work a jewelry-like effect, stating that the piece looked as though it was cut from pure silver.

Jan Hendrix sculpture for private collector at night.

Detail of the polished aluminum surface.

Detail of the polished and milled aluminum surface.

Aerial view of the Jan Hendrix sculpture.

View through the milled aluminum sculpture.

Hands of Man

August 15, 2016/in Art & Sculpture Public Art, Sculpture Kansas City L. William Zahner Blue, Green S 2006 /by cmorris

Hands of Man, Public Artwork

Hands of Man is an artwork by L. William Zahner, made as a gift to The Salvation Army in Kansas City. The artwork was produced by tracing the hands of Salvation Army employees. These hands drawings were scanned and cut in copper, using Zahner’s art fabrication facility.

After using machinery to cut-out the several hundred copper hands, these parts were hammered into the individual shapes to give them form and texture. The hands were then welded and sculpted to form a large-scale sculpture of a hand.

Zahner then used patination techniques to give the surface a mottled Star Blue patina on the surface of the metal before having the sculpture delivered to the Salvation Army Headquarters, based only a few blocks from the Zahner Campus.

The Hands of Man sculpture is a good example of how an artist can use Zahner public art fabrication service to build sculpture. Art services provided by Zahner will help assist artists to engineer, fabricate, deliver, and install public art.

H&R Block Installation

August 15, 2016/in Art & Sculpture Sculpture Kansas City Dierk Van Keppel Blue M, S 2006 /by cmorris

‘Blue Sun’ Hanging Mobile for H&R Block Headquarters

In 2006, H&R Block commissioned artist Dierk van Keppel to produce a custom glasswork in the new headquarters for their downtown office in Kansas City. Blue Sun is a blown and fused glass mobile, hung in an aluminum armature.

Zahner worked in both an art fabricator capacity, as well as a collaborator to Dierk Van Keppel. Keppel used glass blowing and fusing to create a number of fused glass pieces in flat form.

Zahner cut the glass and produced the frames and stainless steel armatures for the artwork. Zahner also provided engineering-design to create the sculpture’s balance and leveling mechanisms that keep the mobile stable.

Detail of the metal ceiling system made for the Starlight Theatre Donor's Circle

Related Project

Starlight Donor’s Circle

Zahner engineers and artisans worked with Gastinger Walker Harden, with Bob Rohlf and the Starlight Theatre Association of Kansas City to engineer, fabricate, and install the artwork. The surface features glass cast by local Kansas City artist Dierk Van Keppel.

Dierk Van Keppel installation at the H&R Block in Kansas City.

Dierk studied art glass at the University of Kansas from 1983 to 1987, assisting with lectures and demonstrations for artists including Dale Chihuly, Stephen D. Edwards, Ken Carder, Fritz Driesbach, and Wes Hunting.

In 1984, Dierk studied under Richard Marquis and Thermon Statom at Pilchuck Glass Studio in Stanwood, WA, joining the staff at Pilchuck in 1985. In 1986, Dierk founded his first private glass studio, Free State Glass, in Lawrence, KS. In 1991, the artist moved closer to his hometown near Kansas City, and established Rock Cottage Glassworks in Merriam, Kansas.

Dierk Van Keppel sculptural installation at the H&R Block Space in Kansas City.

FELIX

August 15, 2016/in Interior Architecture Hospitality, Restaurant Hong Kong Philippe Starck S 1994 /by cmorris

The Felix Restaurant at Peninsula Hotel, Hong Kong

FELIX is an avant-garde bar and restaurant at the Peninsula Hotel in Hong Kong. Designed by Philippe Starck, the restaurant promises spectacular city views and dining that pushes the limits of culinary boundaries.

Starck’s quirky design necessitated customization on every level. Zahner provided stainless steel and zinc metalwork throughout the restaurant, including unique basket-woven zinc strip seating backs and stairwell cladding. A custom patinated zinc wall covering and hammered zinc skirting provide unique accents in the wine room and caviar bar.

The Semantic Metal Surface

When defining a logic to use a particular surface material, various aesthetic qualities such as color, texture, patterns and boundaries are often considered. In our pursuit to arrive at materials that perform over a lifetime and do not possess hidden cost to our children's future, considerations of manufacture and eventual recovery and recycling of the material must also play a part. Architectural metals achieve these design requirements. They are durable and lightweight. They can be formed, shaped, pierced, cut and machined in ways only plastics can attempt to copy.

Interior woven zinc surfaces at the Felix Hong Kong

Cerner Headquarters

August 15, 2016/in Art & Sculpture, Exterior Architecture Flagship, Workplace Kansas City Gould Evans Associates Silver M, S 2005 /by cmorris

Signage for Cerner Headquarters Vision Center Forum Portals

The Cerner Corporation World Headquarters is designed by Gould Evans and features Zahner-manfufactured signage systems. Zahner produced this uniquely perforated stainless steel sculpture and sign for the Cerner Corporation in North Kansas City.

Two sculptural navigational displays were built: a small corner entrance sign adjacent to the building’s main entrance, and a large signage system visible from the nearby highway. This larger sign features an illuminated Cerner logo mounted on the perforated stainless steel screen wall.

Each of the displays were fabricated by Zahner using ZIRA, a patented technology developed by Zahner creating perforated imagery. The architects and client designed a non-repeating pattern of 1’s and 0’s, binary code in a non-repeating pattern. Zahner developed a process to rapidly punch the numbers using multiple dies.

Detail of the perforated metal signage system at Cerner Headquarters.

Cerner signage wall at the Cerner World Headquarters.

Detail of the perforated metal system used for Cerner Headquarters.

Detail of the Cerner World Headquarters signage wall.

The larger of the two displays, visible from the end of 210 Highway in North Kansas City, was produced with lighting systems embedded in the aluminum and stainless steel framework. Pictured above and below are photos of the signage at night, and during the day. As cars drive by, it appears to flash and animate due to the lights parallactic relationship with the perforations.

The complete system for the 61′ long sign structure comprises 72 panels supported vertically by stainless steel structural fins of varying depth and shape. Each panel is constructed from 18-gauge stainless steel, with a perforation pattern generated from a random sequence of binary code.

The display closest to the building features a DNA strand within the sign, visible as an orange tube. The structure was built with 1/4″ aluminum fins, attached to square tubes which create the sign’s profile. The face of the fins were installed with 14 gauge Angel Hair Stainless steel panels.

Additional metal signage at Cerner Headquarters.

Fabricating the Cerner Signs

The sculptural sign was custom perforated from stainless steel plates using binary code to create the pattern. The surface is an array of 1’s and 0’s randomly placed across the plates of stainless steel.

Below are photos from the Zahner shop in Kansas City, where the material for each display was formed. Each panel was perforated using dies custom-made for the project. Together with the automated punches allowed the fabricators on the shop floor to quickly assemble components after being produced on the computer-controlled punch.