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Tsing Yi Station

December 14, 2016/in Exterior Architecture Airport, Transportation Asia, Hong Kong, International Wong Tung Green XL 1998 /by cmorris

Tsing Yi Terminal Roof in Hong Kong

Tsing Yi Terminal is an intermodal center and train station on the Tung Chung Line of MTR and Airport Express, located on Tsing Yi Island in Hong Kong.

Designed by Wong Tung, the building features the largest copper roof in Hong Kong. Zahner manufactured the copper standing seam roof system with built-in gutters and associated flashing and fascia. The roof panels were installed as a pre-patinated copper. This means that the copper material went through a patination process in the United States, where it developed an advanced patina, a protective layer resulting from a built-up oxide on the copper surface. 

Related Project

Kowloon Station

This station in the Kowloon development in Hong Kong was designed by Farrells (TPP Farrells). The project included a masterplan for the surrounding Union Square, one of the largest air-rights developments in the world. This development included the tallest tower in Hong Kong, the International Commerce Center.

Tsing Yi Station connects the island of Tsing Yi with the mainland of Hong Kong.

Tsing Yi Station connects the island of Tsing Yi with the mainland of Hong Kong.

Photograph © Wing1990hk.

Installers complete the Tsing Yi Terminal Roof in Hong Kong.

Installers complete the Tsing Yi Terminal Roof in Hong Kong.

Tsing Yi Station Terminal Roof includes custom fascia and flashing.

Tsing Yi

TSING YI “TEAL” COLOR INSIDE THE INTERIOR SPACES OF TSING YI TERMINAL.

PHOTO © QWER132477.

Subtle curvatures along the profile of the Tsing Yi Station Terminal Roof.

Subtle curvatures along the profile of the Tsing Yi Station Terminal Roof.

Photo © A. Zahner Company.

Tsing Yi Station Terminal Roof includes custom fascia and flashing.

Tsing Yi Station Terminal Roof includes custom fascia and flashing.

Photo © A. Zahner Company.

Tsing Yi Station Terminal Roof, running bond pattern on double-lock standing seam roof.

Tsing Yi Station Terminal Roof, running bond pattern on double-lock standing seam roof.

Tsing Yi Terminal Roof in Hong Kong.

Tsing Yi Terminal Roof in Hong Kong.

Photo © A. Zahner Company.

Zahner provided metalwork for the project. The roof edge folds over to create a clean, trimless appearance. A running bond pattern was designed for the double-lock standing seam. The project is one of a number works that Zahner has produced in Asia.

The project is located between Airport Station and Kowloon Station, another Hong Kong work of architecture featuring Zahner metalwork.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24124333/1_tsing-yi-station-overview-wing1990hk.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-12-14 20:40:232020-10-23 14:53:06Tsing Yi Station

Okie Blanchard

December 9, 2016/in Exterior Architecture Arena & Stadium, Passive Security Cheyenne--Wyoming Davis Partnership Architects Silver M 2015 /by cmorris

Okie Blanchard Sports Complex

Designed by Davis Partnership Architects, the new stadium at Okie Blanchard Sports Complex features a unique metal panel system made by Zahner. The architects used the Zahner-patented ImageWall to generate and detail custom image-perf which form custom imagery of football motifs. 

The custom system required a number of changes to the base ImageWall system, so the designers worked with ImageWall design team to develop their project. Using the ImageWall System, the architects were able to quickly iterate through a number of unique panel designs for the stadium. 

Related System

Okie Blanchard

Custom privacy screens provide passive security and vibrant aesthetics for the Okie Blanchard Sports Complex.

CUSTOM PRIVACY SCREENS PROVIDE PASSIVE SECURITY AND VIBRANT AESTHETICS FOR THE OKIE BLANCHARD SPORTS COMPLEX.

PHOTO © A. ZAHNER COMPANY.

Additional Features of the Okie Blanchard System

One of the features of ImageWall which greatly increased the image quality across panels is the project’s use of Cross-Seam Perf. This is an innovation Zahner developed through the use of parametric design. Cross-Seam Perf comes standard with most ImageWall applications.

Most manufacturers of perforated metal don’t have a system capable of perforating across the seams, which means that each panel will have a picture-frame around the image. Punching the metal surface on both sides of the panels reveal gives the illusion of a continuous perforation across the metal surface without breaking each panel into picture frames.

The custom screen walls function as both passive security measures serving to prevent access under the bleachers while also providing a sports theme for stadium visitors.

Detail of the Okie Blanchard privacy screens.

DETAIL OF THE OKIE BLANCHARD PRIVACY SCREENS.

PHOTO © A. ZAHNER COMPANY.

Cross-seam perforation is a standard feature of ImageWall perforated metal.

CROSS-SEAM PERFORATION IS A STANDARD FEATURE OF IMAGEWALL PERFORATED METAL.

PHOTO © A. ZAHNER COMPANY.

In an effort to make room for a future junior high school on the campus, the sports and athletics program at East High School required re-planning and consolidation. Per master planning recommendations the much beloved original Okie-Blanchard stadium would need to be razed and replaced with a much-needed new facility. AVI, Inc. with Davis Partnership Architects was selected for the project encompassing 26-acres due to the team’s experience in outdoor athletics facilities and skill in incorporating natural topography into its designs. 

Image output for the perforated metal used by ImageWall.

IMAGE OUTPUT FOR THE PERFORATED METAL USED BY IMAGEWALL.

PHOTO © A. ZAHNER COMPANY.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24125227/1_6703.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-12-09 21:50:182025-05-05 08:10:55Okie Blanchard

CVS Las Vegas

December 9, 2016/in Exterior Architecture Flagship, Retail & Commerce, Storefront Las Vegas--Nevada Jacobs Grey, Silver L 2016 /by cmorris

CVS Pharmacy at Bally’s Casino

CVS Pharmacy at Bally’s Casino in Las Vegas is a unique flagship store designed by Jacobs featuring a custom structural facade system by Zahner.

In a city known for its flamboyant neon and kitsch architectural statements, this Las Vegas Boulevard stands on its own, while making a marked departure from the local architecture. 

The design for this project may have some of the most uniquely powerful branding and signage that the city has yet to see (and this is Las Vegas). The CVS Pharmacy at Bally’s Casino has a signage system whose reflective letters provide an eye-catching animated effect for cars and passersby. This innovative signage system is the result of weeks of design charettes, and several months of engineering and fabrication.

CVS Pharmacy at Bally's, Las Vegas

CVS Pharmacy at Bally's, Las Vegas

PHOTO © A. ZAHNER COMPANY.

PHOTO © A. ZAHNER COMPANY.

What makes the signage system intriguing is its clever illusion, a result of the design’s collaborative process. Jacobs, the architects behind the project, brought Zahner in as a design assist contract to develop a branded sign system. Using a combination of LED backlighting, selective polishing, and algorithmic perforations, the team developed a unique concept and produced a mockup. 

The mockup was produced in Kansas City, and was shown and inspected by the project team. The team used the mockup to identify any issues with the fabrication, and then began manufacturing the piece for delivery in Las Vegas.

Mockup for the CVS Pharmacy in Las Vegas.

Mockup for the CVS Pharmacy in Las Vegas.

PHOTO © A. ZAHNER COMPANY.

The mockup provided valuable feedback into the structural design, giving the Zahner engineering team insights into moving forward on the actual construction. The full-size mockup also provides the designers and clients with an accurate vision of the  letter’s clarity.

After this phase one design and mockup process, the project moved into fabrication and installation. Zahner provided both the architectural exposed structural steel (AESS) as well as the stainless steel panel system. 

In all there were 182 assemblies and 9000 SF of 304 stainless steel produced for the project. The skin of this uses a 14ga material. The parts were manufactured as part of a custom fabricated rain screen panel with factory applied ZIRA / ImageWall pattern. 

All of the exterior visible surfaces have a Glass Bead matte finish with the exception of the brand’s logos, which are polished to a mirror finish. The project’s 182 assemblies are each slightly curved, and supported by an aluminum support strut located outside of the weather wall. 

Detail of the stainless steel panels for CVS pharmacy, Las Vegas

Detail of the stainless steel panels for CVS pharmacy, Las Vegas

PHOTO © A. ZAHNER COMPANY.

DETAIL OF THE STAINLESS STEEL PANELS FOR CVS PHARMACY, LAS VEGAS

PHOTO © A. ZAHNER COMPANY

PHOTO © A. ZAHNER COMPANY.

CVS PHARMACY AT BALLY’S CASINO, LAS VEGAS

PHOTO © A. ZAHNER COMPANY


CVS PHARMACY AT BALLY’S CASINO, LAS VEGAS

PHOTO © A. ZAHNER COMPANY

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24123738/1_cvs-las-vegas.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-12-09 19:01:462022-02-02 13:23:07CVS Las Vegas

Jakarta Australian Embassy

December 7, 2016/in Exterior Architecture Government, Passive Security International, Jakarta--Indonesia Denton Corker Marshall Blue, Gold, Green, Grey, Red XL 2016 /by cmorris

Australian Embassy in Jakarta, Indonesia

The Australian Embassy in Jakarta features a number of buildings manufactured in a variety of metal surfaces. The Embassy features an expansive palette of custom Zahner finishes and patinas on high-performance metal alloys.

The design by Denton Corker Marshall was the winning entry in limited design competition. The materials reflect not only characteristic colors of the Australian landscape but also convey something of the natural resources and mineral wealth. Each building at the Embassy is clad in a distinct metal, representing Australia’s wealth in these materials: copper, zinc, brass, steel and aluminum.

The Australian Embassy complex houses the Department of Foreign Affairs and Trade and 13 other government departments and agencies. Denton Corker Marshall’s design includes a massive complex, covering over 530,000 square feet of space.

PHOTOGRAPH OF THE COMPLETED EMBASSY, COURTESY OF THE AUSTRALIAN EMBASSY JAKARTA.

Creating an Embassy with Enduring Metals

The building complex includes both housing as well as a chancery for the building’s staff. The Embassy chancery was clad in a full range of trademark metal materials made by Zahner. Each of these high-end surfaces are detailed to provide high-performance and endure city pollutants over time.

The building complex was split into a number of modules, each designed with a unique metal surface. Zahner custom-fabricated and delivered the facade systems for each of the towers, which are clad top-to-bottom in their respective metal surfaces.

The metal panels, manufactured by Zahner, include stainless steel, patinated copper and zinc, color anodized aluminum, and preweathered steel. In total, Zahner manufactured 70,000 panels and trims. These were engineered, fabricated, and shipped 13,000 miles — on time and within the budget of the project.

NonePHOTOGRAPH OF THE COMPLETED EMBASSY, COURTESY OF THE AUSTRALIAN EMBASSY JAKARTA.

Signature Surfaces for the Chancery

The patinated materials and custom finishes developed for the buildings include a range of Zahner-developed products. Surface materials used include Star Blue Copper, a prepatinated copper material; Solanum Steel, a preweathered deep earthen-colored metal; and Hunter Zinc, a limestone-toned metal patina on zinc. The building also included anodized aluminum, made in both clear and gold.

In the Embassy’s official press release for the unveiling, the metals chosen provide insight into Australia’s mineral economy:

“The distinctive colours chosen for the Chancery are designed to represent Australia’s wealth in minerals such as copper, zinc, brass, steel and aluminium.”

The panels also feature a series of circular ‘bumps’, which offer added texture and dimensionality. The delineation of the embossed and debossed metal was done under close collaboration between the architects at Denton Corker Marshall and Zahner. Total Bangun Persada and Leighton served as the General Contractors for the project, with Aurecon Australia serving as the primary engineer. Zahner worked closely with Leighton Asia, whose team ensured good communication and success for the building complex construction.

Zahner has two production plants (one in Grand Prairie, Texas and another in Kansas City, Missouri), so the company was able to work in tandem between sheet production, engineering and shop-forming. This provided the massive output needed to cover the 330,000 square-feet of metal panels under the project’s aggressive 12-month schedule.

NonePHOTOGRAPH OF THE COMPLETED EMBASSY, COURTESY OF THE AUSTRALIAN EMBASSY JAKARTA.

In an interview by ABC, Australian Ambassador to Indonesia Paul Grigson lauded the building’s architectural design, and celebrated its ecological imperative:

“The Embassy showcases the best in Australian innovative design and cutting edge technology to make the most out of the Indonesia’s environment while minimising the impact on local water and energy sources,”

Construction of the new embassy, which commenced in 2012, cost $415 million. This is the biggest project that the Australian government has spent on a building complex outside the shores of Australia.

NonePHOTOGRAPH OF THE COMPLETED EMBASSY, COURTESY OF THE AUSTRALIAN EMBASSY JAKARTA.
NonePHOTOGRAPH OF THE COMPLETED EMBASSY, COURTESY OF THE AUSTRALIAN EMBASSY JAKARTA.

Features of the Building Complex

The new complex is at Patra Kuningan in the southern area of Jakarta. The Embassy includes a five-storey Chancery, accommodation for some Embassy staff, and recreation and medical centers. The grounds cover over 530,000 SF of space.

According to the official press release, the compound can withstand a one in 2,500-year earthquake and can move 600 millimetres in any direction. The Embassy complex uses low resource technologies such as collecting and using rainwater as well as solar hot water heating systems.

One of the most exciting aspects of the new complex, is how the ground’s massive banyan trees have put the Australian embassy into the Indonesian Guinness Book of Records. Four mature trees were relocated near the building’s entrance, the biggest tree relocation of its kind ever taken.

For this, the building received a Museum Rekor Indonesia (MURI) award. This award is in recognition of how the new Embassy celebrates the Indonesian national pride. Part of the Indonesian coat of arms, the Banyan tree is a symbol which represents for the Indonesian-Australian partnership, denoting how a single nation can have far-flung roots.

NonePHOTOGRAPH OF THE COMPLETED EMBASSY, COURTESY OF THE AUSTRALIAN EMBASSY JAKARTA.
NonePHOTOGRAPH OF THE COMPLETED EMBASSY, COURTESY OF THE AUSTRALIAN EMBASSY JAKARTA.

Among its green features are a living rooftop, rainwater harvesting, energy efficient air-conditioning and a number of solar hot water systems.

“The Embassy showcases the best in Australian innovative design and cutting edge technology to make the most out of the Indonesia’s environment while minimising the impact on local water and energy sources,” said Australian Ambassador to Indonesia Paul Grigson.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24121854/1_jakarta-copyright-bollings-20160305_jg_2084.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-12-07 04:35:312025-02-20 07:38:10Jakarta Australian Embassy

The Chrysalis

November 17, 2016/in Art & Sculpture, Exterior Architecture Performance Center, Public Art, Sculpture Columbia--Maryland Living Design Lab, Marc Fornes / THEVERYMANY Marc Fornes Green L 2017 /by cmorris

The Chrysalis Amphitheatre at Symphony Woods park

The Chrysalis is a multi-purpose pavilion, sculpture, and performance center designed by Marc Fornes with Living Design Lab. Zahner manufactured and installed the exterior structure and skin system.

The Chrysalis is made of tubular steel knit together to form a structure that houses a pavilion and stage for performances.  It broke ground in September 2015 and was completed and opened to the public April 22, 2017.

With its name, The Chrysalis pays homage to the larval transitionary stage of a butterfly. With its form, The Chrysalis references the low-lying cypress tree seen in the eastern United States marshland. Its enormous roots provide the structural capability for a sweeping array of performances and events. As a building, the venue will attract larger productions while also providing an intimate space for smaller gatherings.

The Chrysalis at Merriweather Post Pavilion.

The Chrysalis at Merriweather Post Pavilion.

Photo © Jeffrey Totaro.

Film of The Chrysalis at Merriweather Post Pavilion.

 

The Chrysalis at Merriweather Park in Symphony Woods.

THE CHRYSALIS AT MERRIWEATHER PARK IN SYMPHONY WOODS.

Marc Fornes’ design for The Chrysalis was brought to life by a team which architects of record Living Design Lab and landscape designer Mahan Rykiel. included Whiting Turner, ARUP, Walters Group, and Zahner.

Located in the city of Columbia in Maryland, the sculptural work is nestled in the Merriweather Park at Symphony Woods. The new construction is placed adjacent to the Merriweather Post Pavilion, a performance center in Symphony Woods Park.

The Chrysalis at Merriweather Park in Symphony Woods.

The Chrysalis at Merriweather Park in Symphony Woods.

Photo © A. Zahner Company.

Aerial photo of The Chrysalis in Columbia, Maryland.

AERIAL PHOTO OF THE CHRYSALIS IN COLUMBIA, MARYLAND.

Photo © A. Zahner Company.

Detail of the painted aluminum shingles and structure of The Chrysalis.

DETAIL OF THE PAINTED ALUMINUM SHINGLES AND STRUCTURE OF THE CHRYSALIS.

Photo © A. Zahner Company.

Detail of the painted aluminum shingles at grade.

DETAIL OF THE PAINTED ALUMINUM SHINGLES AT GRADE.

Stage of The Chrysalis in Columbia, Maryland.

STAGE OF THE CHRYSALIS IN COLUMBIA, MARYLAND.

Photo © A. Zahner Company.

Rear stairway at The Chrysalis in Columbia, Maryland.

REAR STAIRWAY AT THE CHRYSALIS IN COLUMBIA, MARYLAND.

Photo © A. Zahner Company.

Detail of the landscaping

DETAIL OF THE LANDSCAPING

Photo © A. Zahner Company.

Detail of the structural aluminum and curved steel pipe.

DETAIL OF THE STRUCTURAL ALUMINUM AND CURVED STEEL PIPE.

Engraved design and construction credits at The Chrysalis in Columbia, Maryland.

ENGRAVED DESIGN AND CONSTRUCTION CREDITS AT THE CHRYSALIS IN COLUMBIA, MARYLAND.

Photo © A. Zahner Company.

NonePhoto © A. Zahner Company.
East elevation of The Chrysalis in Columbia, Maryland.

EAST ELEVATION OF THE CHRYSALIS IN COLUMBIA, MARYLAND.

Photo © A. Zahner Company.

The Chrysalis nearing completion in Columbia, Maryland.

THE CHRYSALIS NEARING COMPLETION IN COLUMBIA, MARYLAND.

Photo © A. Zahner Company.

3D buildup of components for The Chrysalis.

3D buildup of components for The Chrysalis.

Photo © Strategic Leisure.

Structural system for The Chrysalis during construction.

Structural system for The Chrysalis during construction.

Photo © Strategic Leisure.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24115416/1_the-chrysalis.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-11-17 17:50:402021-02-23 14:41:52The Chrysalis

Ritz Carlton

November 15, 2016/in Exterior Architecture Hospitality Cleveland--Ohio EDG Interior Architecture + Design 2016 /by Winifred Wright

Cleveland, OH

Anodized aluminum panels and structure for a series of awnings. Raised circles on the front create a pattern while still protecting from the elements.

Anodized aluminum panels and structure for a series of awnings. Raised circles on the front create a pattern while still protecting from the elements.

Anodized aluminum panels and structure for a series of awnings. Raised circles on the front create a pattern while still protecting from the elements.

Photography by Tyler Wick
Anodized aluminum panels and structure for a series of awnings. Raised circles on the front create a pattern while still protecting from the elements.

Anodized aluminum panels and structure for a series of awnings. Raised circles on the front create a pattern while still protecting from the elements.

Photography by Tyler Wick
Anodized aluminum panels and structure for a series of awnings. Raised circles on the front create a pattern while still protecting from the elements.

Anodized aluminum panels and structure for a series of awnings. Raised circles on the front create a pattern while still protecting from the elements.

Photography by Tyler Wick
Anodized aluminum panels and structure for a series of awnings. Raised circles on the front create a pattern while still protecting from the elements.

Anodized aluminum panels and structure for a series of awnings. Raised circles on the front create a pattern while still protecting from the elements.

Photography by Tyler Wick
Anodized aluminum panels and structure for a series of awnings. Raised circles on the front create a pattern while still protecting from the elements.

Anodized aluminum panels and structure for a series of awnings. Raised circles on the front create a pattern while still protecting from the elements.

Photography by Tyler Wick

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2016/11/07131536/ritz-copr-tyler-wick-zahner-6976.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1666 2500 Winifred Wright https://www.azahner.com/wp-content/uploads/2020/05/logo.svg Winifred Wright2016-11-15 10:00:332025-05-05 08:17:42Ritz Carlton

Team Disney

November 8, 2016/in Exterior Architecture Workplace Anaheim--California, Los Angeles--California Frank Gehry Partners Blue, Green, Violet XL 1995, 1996 /by cmorris

disneyland theme park offices, Anaheim

A pillowed facade of iridescent green, blue and violet adorns the surface of the Team Disney building in Anaheim, California. Designed by Frank Gehry Partners, the building serves as the administrative offices of the Disneyland theme park.

Zahner provided the custom green interference-coated stainless steel. The iridescent surface changes from blue to green to violet when viewed at varying angles. The addition of an embossed diamond pattern creates a quilted, pillow-like effect.

At the time it was constructed, it was the largest green stainless steel surface ever produced. Completion of the structure marks the first time all administrative staff have been located in one facility since the park opened in 1955.

“We’ll get more work done in the hallways than we did in the conference rooms. This finally brings it all together.”
— Disneyland President Paul Pressler.

Related Surface

Team Disney

Green interference coated stainless steel facade of Team Disney Anaheim.

GREEN INTERFERENCE COATED STAINLESS STEEL FACADE OF TEAM DISNEY ANAHEIM.

PHOTO © A. ZAHNER COMPANY.

Stucco offices at the South entrance for Team Disney Anaheim

STUCCO OFFICES AT THE SOUTH ENTRANCE FOR TEAM DISNEY ANAHEIM

PHOTO © A. ZAHNER COMPANY.

North-side of the Team Disney Anaheim building.

NORTH-SIDE OF THE TEAM DISNEY ANAHEIM BUILDING.

PHOTO © A. ZAHNER COMPANY.

None
Detail of the interference stainless steel at Team Disney Anaheim.

DETAIL OF THE INTERFERENCE STAINLESS STEEL AT TEAM DISNEY ANAHEIM.

View from across the highway at Team Disney Anaheim.

VIEW FROM ACROSS THE HIGHWAY AT TEAM DISNEY ANAHEIM.

PHOTO © A. ZAHNER COMPANY.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24125139/1_team-disney-photo-copyright-zahner-9470.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-11-08 15:34:022020-10-23 15:26:03Team Disney

DeBruce Center: Rules of Basketball

November 3, 2016/in Exterior Architecture, Interior Architecture Education, Museum, Parking Structure Lawrence--Kansas Gould Evans Associates Silver, White L 2016 /by cmorris

DeBruce Center and the KU Rules of Basketball

DeBruce Center is a Gould Evans-designed building featuring Zahner engineered metal systems throughout its interior and exterior. Zahner completed multiple scopes on the project, including the exterior and interior panels of bridge that connects to Allen Fieldhouse, guardrails, and the perforated scrim walls which enclose its adjoining parking structure.

The building complex was developed around a single piece of basketball history. The original Rules of Basketball, written in 1891 by James Naismith (the inventor of basketball and founder of the KU basketball program) were purchased and donated to the school, and have found their permanent home at DeBruce Center, a new facility adjoining the northeast corner of Allen Fieldhouse at KU.

The existing Allen Fieldhouse building at KU is now connected by a bridge to the Debruce Center. This connects the new exhibit and visitor center to historical Allen Fieldhouse, where the KU basketball team regularly plays their local games. This connection helps to physically explain the history of KU’s sports program. James Naismith (the ‘father’ of basketball) and Forrest “Phog” Allen (the ‘father’ of basketball coaching) each had an integral role in building this legacy. By physically connecting the two spaces, the designers at Gould Evans have built a literal link between the past and future of basketball at KU.

The bridge, which connects the DeBruce Center and Parking Garage to the Allen Fieldhouse.

THE BRIDGE, WHICH CONNECTS THE DEBRUCE CENTER AND PARKING GARAGE TO THE ALLEN FIELDHOUSE.

PHOTO © A. ZAHNER COMPANY.

Detail of the DeBruce Center bridge.

DETAIL OF THE DEBRUCE CENTER BRIDGE.

PHOTO © A. ZAHNER COMPANY.

Creating the Exterior Bridge at DeBruce Center

The Zahner team was tasked with creating large cut-out aluminum panels bearing the original rules for the game of basketball. The interior panels also contain a direct screenprint of text on aluminum, which maps out the visage of Naismith and Phog Allen.

The aluminum panels for the exterior bridge were milled from 3/8” aluminum, at a panel size of 6’ x 18’. Panels of this scale provide a unique challenge. Zahner both coordinated with the structural team to ensure that the plate attachment system was properly detailed out in order to take on such heavy loads (the panels weigh around 500 pounds each).

Zahner milled the complete text from the Rules of Basketball, cutting stenciled text into each of the panels. The panels are backlit at night by LED lights that were installed by the lighting designer. During the day, the Angel Hair finish applied to the panels disperses sunlight and softens the natural reflectivity of the aluminum.

The Allen Fieldhouse (left) is connected to the DeBruce Center via an aluminum clad pedestrian bridge.

THE ALLEN FIELDHOUSE (LEFT) IS CONNECTED TO THE DEBRUCE CENTER VIA AN ALUMINUM CLAD PEDESTRIAN BRIDGE.

PHOTO © A. ZAHNER COMPANY.

Milling and Etching Interior Metal Wall Panels to Tell a Story.

The interior bridge continues the exterior bridge’s aesthetic of text milled out from Angel Hair aluminum, and also adds an additional silkscreened visual element. Rather than the rules of basketball, the milled aluminum panels on the east wall contain quotes from both Naismith and Phog Allen. Because these panels are interior and don’t have windloads to contend with, the designers were able to go with a thinner sheet, at 3/16” x 5’ x 10’ each.

NonePHOTO © A. ZAHNER COMPANY.

The adjacent west wall contains direct screenprinted text on aluminum. This text utilizes a similar visual trope to ZIRA in that it uses letterforms to map out the image of Naismith and Phog Allen, drawing yet another visual parallel between these founding fathers and the legacy of basketball at KU.

NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.

Interior Aluminum Plate Guardrails and Staircase Ramps

Zahner also completed a series of interior guardrails from 5/8” aluminum, in an Angel Hair finish to match the surrounding walls. These were made from solid plates connected only at the floor level, stairs, and ramp.

To achieve a uniform planar surface with minimal fasteners, custom connections were developed by Zahner engineers to create the massive guardrails which wind up and down the interior of DeBruce Center.

NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.

Using ImageWall to generate Perforated Imagery on Metal

The final piece of Zahner’s scope on DeBruce Center was a custom ZIRA perforated image of wheat, comprising around 7,250 square feet of space. At 243 total 3’ x 10’ 16ga panels, this was our largest scope item and required coordination with multiple trades, such as existing site and new steel. The engineers and fabricators at Zahner provided a system for drop and lock attachment that allowed for a smooth installation.

NonePHOTO © A. ZAHNER COMPANY.

The perforations cross between panels, allowing imagery to continue seamlessly across the wall, without the distraction of edges. This was achieved by examining the pattern’s parametric relationship of visual elements to the larger surface. The resulting image emulates a field of wheat, hearkening back to symbols of Kansas, and the history of KU.

NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.
NonePHOTO © A. ZAHNER COMPANY.
https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24120150/1_debruce-copyright-zahner-2431.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-11-03 17:28:312025-05-05 08:19:54DeBruce Center: Rules of Basketball

OHR O’Keefe Museum

October 21, 2016/in Exterior Architecture Museum Biloxi--Mississippi Frank Gehry Partners Silver L 2014 /by cmorris

Ohr-O’Keefe Museum of Art – Ceramic Art and Biloxi History

Located in Biloxi, Mississippi, The Ohr O’Keefe Museum is a non-profit art museum and arts center dedicated to the late ceramics artist George E. Ohr. The museum is named for both Ohr and Annette O’Keefe, the late wife of former Biloxi mayor Jeremiah O’Keefe. Her name was appended to the museum in recognition of the family’s ongoing contributions, which exceed 1.8 million dollars.

The museum is designed by Frank Gehry Partners, whose work with Zahner in the past resulted in various high-profile architectural projects such as the Guggenheim in Bilbao, the Experience Music Project in Seattle, and the Pritzker Pavilion at Millennium Park, Chicago. Gehry met with Jerry O’Keefe in 1998, and agreed to design the new museum for Biloxi, Mississippi.

Related System

OHR O’Keefe Museum

Ohr-O'Keefe Museum of Art, photographed across the water of the Atlantic Ocean Gulf in Mississippi.

Ohr-O’Keefe Museum of Art, photographed across the water of the Atlantic Ocean Gulf in Mississippi.

Photo © A. Zahner Company.

Ohr-O'Keefe Museum of Art at dusk, designed by Frank Gehry Partners.

Ohr-O’Keefe Museum of Art at dusk, designed by Frank Gehry Partners.

Photo © A. Zahner Company.

Ohr-O'Keefe Museum of Art main building at dusk, Biloxi, Mississippi.

Ohr-O’Keefe Museum of Art main building at dusk, Biloxi, Mississippi.

Photo © A. Zahner Company.

Ambient reflectivity of the Angel Hair Stainless steel panels by Zahner for the Ohr-O'Keefe Museum of Art.

Ambient reflectivity of the Angel Hair Stainless steel panels by Zahner for the Ohr-O’Keefe Museum of Art.

Photo © A. Zahner Company.

Ohr O'Keefe Museum entrance at dusk, designed by Frank Gehry Partners.

Ohr O’Keefe Museum entrance at dusk, designed by Frank Gehry Partners.

Photo © A. Zahner Company.

Ohr O'Keefe Museum at dusk, featuring Angel Hair Stainless Steel and ZEPPS Technology.

Ohr O’Keefe Museum at dusk, featuring Angel Hair Stainless Steel and ZEPPS Technology.

Photo © A. Zahner Company.

Ohr O'Keefe Museum gallery interior designed by Frank Gehry Partners with Eley Guild Hardy Architects.

Ohr O’Keefe Museum gallery interior designed by Frank Gehry Partners with Eley Guild Hardy Architects.

Photo © A. Zahner Company.

Ohr O'Keefe Museum Pods detail, designed by Frank Gehry Partners.

Ohr O’Keefe Museum Pods detail, designed by Frank Gehry Partners.

Photo © A. Zahner Company.

Ohr-O'Keefe Museum Pods designed by Frank Gehry Partners.

Ohr-O’Keefe Museum Pods designed by Frank Gehry Partners.

Photo © A. Zahner Company.

Ohr O'Keefe Museum viewed from the South elevation.

Ohr O’Keefe Museum viewed from the South elevation.

Photo © A. Zahner Company.

Ohr O'Keefe Museum viewed from the South entrance.

Ohr O’Keefe Museum viewed from the South entrance.

Photo © A. Zahner Company.

Ohr O'Keefe Museum gallery interior designed by Frank Gehry Partners with Eley Guild Hardy Architects.

Ohr O’Keefe Museum gallery interior designed by Frank Gehry Partners with Eley Guild Hardy Architects.

Photo © A. Zahner Company.

Ohr O'Keefe Museum gallery interior designed by Frank Gehry Partners with Eley Guild Hardy Architects.

Ohr O’Keefe Museum gallery interior designed by Frank Gehry Partners with Eley Guild Hardy Architects.

Photo © A. Zahner Company.

Ohr-O'Keefe Museum of Art campus in Biloxi, Mississippi.

Ohr-O’Keefe Museum of Art campus in Biloxi, Mississippi.

Photo © A. Zahner Company.

Ohr-O'Keefe Museum Gallery of African-American Art designed by Frank Gehry Partners.

Ohr-O’Keefe Museum Gallery of African-American Art designed by Frank Gehry Partners.

Photo © A. Zahner Company.

Ohr-O'Keefe Museum of Art .

Ohr-O’Keefe Museum of Art .

Photo © A. Zahner Company.

East tower of the Ohr-O'Keefe Museum of Art, showing the structural steel forms which support its roof.

East tower of the Ohr-O’Keefe Museum of Art, showing the structural steel forms which support its roof.

Photo © A. Zahner Company.

Ohr-O'Keefe Museum main building and gift shop/coffee shop in Biloxi, Mississippi.

Ohr-O’Keefe Museum main building and gift shop/coffee shop in Biloxi, Mississippi.

Photo © A. Zahner Company.

Southeast view of Ohr-O'Keefe Museum of Art in Biloxi, Mississippi.

Southeast view of Ohr-O’Keefe Museum of Art in Biloxi, Mississippi.

Photo © A. Zahner Company.

Ohr-O'Keefe Museum Ceramics Studio in Biloxi, Mississippi.

Ohr-O’Keefe Museum Ceramics Studio in Biloxi, Mississippi.

Photo © A. Zahner Company.

Ohr-O'Keefe Museum Roof system featuring Angel Hair Stainless Steel.

Ohr-O’Keefe Museum Roof system featuring Angel Hair Stainless Steel.

Photo © A. Zahner Company.

Ohr-O'Keefe Museum Ceramics Studio in Biloxi, Mississippi.

Ohr-O’Keefe Museum Ceramics Studio in Biloxi, Mississippi.

Photo © A. Zahner Company.

Building the Ohr-O’Keefe Museum in Biloxi

The trees are architecture, they are as interesting as any building. It’s like if you go to a dance and your dance partner is the tree. She’s a pretty partner, so we’ll try and waltz her around a bit. — Frank Gehry

Constructing a complex building such as this one requires accurate engineering, which is why Gehry has partnered with Zahner on many of the firm’s most complex projects. Each of the pods, the  engineered using the ZEPPS process, a system developed by Zahner for building forms.

Using this process provides a simple way for architect’s to design and building curved and otherwise complex forms. For architects, these forms provide a complete wall system, from the exterior facade, the the insulation, electrical, as well as the interior wall studs which are ready for curved interior drywall.

This brings the construction of complex forms into realistic territory. ZEPPS enables precise engineering, smooth construction, and uniform surfaces in the final product.

In his initial designs, Gehry envisioned a single building, dancing with the graceful live oaks.  He later expanded the project into several buildings, scattered among the trees.  ‘The trees are architecture, they are as interesting as any building,’ describes architect Frank Gehry. ‘It’s like if you go to a dance and your dance partner is the tree. She’s a pretty partner, so we’ll try and waltz her around a bit.’


Ohr-O'Keefe Museum
Ohr-O'Keefe Museum
Ohr-O'Keefe Museum
Ohr-O'Keefe Museum
One of the ZEPPS Panels for Frank Gehry's Pods at the Ohr-O'Keefe Museum of Art.

One of the ZEPPS Panels for Frank Gehry’s Pods at the Ohr-O’Keefe Museum of Art.

Photo © A. Zahner Company.

Gehry's Pods at the Ohr-O'Keefe Museum of Art, during construction.

Gehry’s Pods at the Ohr-O’Keefe Museum of Art, during construction.

Photo © A. Zahner Company.

Ohr-O'Keefe Museum of Art with skins featuring Angel Hair Stainless Steel.

Ohr-O’Keefe Museum of Art with skins featuring Angel Hair Stainless Steel.

Photo © A. Zahner Company.

As the project neared completion in 2005, disaster stuck the southeast coastal areas of the Southeastern United States.  Hurricane Katrina tore through Biloxi, destroying 90% of the buildings along the coast and the gulf.  Many of the ‘floating’ casino barges were torn from their footings, and cast along the shores causing futher damage.

Photograph of the Grand Casino Biloxi on the job site in the aftermath of Hurricane Katrina.

Photograph of the Grand Casino Biloxi on the job site in the aftermath of Hurricane Katrina.

Photo © A. Zahner Company.

One of these casinos, the Grand Casino Biloxi, found its way onto the Ohr-O’Keefe construction site, where it’s path of destruction was halted by the live oaks surrounding Gehry’s Pods. The decision to nestle the buildings within the trees paid off, and damages were reduced.
The pod-like structures were shipped back to the Zahner campus, where they remained in storage as the cleanup and re-construction process took place from 2005-2010. The pods were then shipped back to the site and the museum was substantially completed in 2014.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2016/10/09170707/ohr-museum-c-a-zahner-company-7574-mono.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1280 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-10-21 12:01:182025-02-25 15:49:22OHR O’Keefe Museum

Blue Mesa Restaurant

October 15, 2016/in Exterior Architecture Restaurant Forth Worth--Texas Carrell Partners & Yost Architecture 2016 /by Winifred Wright

Fort Worth, TX

Restaurant facade and screen in angel hair stainless steel with imagery of tree branches.

Restaurant facade and ImageWall screen in angel hair stainless steel with imagery of tree branches.

Restaurant facade and ImageWall screen in angel hair stainless steel with imagery of tree branches.

Restaurant facade and ImageWall screen in angel hair stainless steel with imagery of tree branches.

Restaurant facade and ImageWall screen in angel hair stainless steel with imagery of tree branches.

Restaurant facade and ImageWall screen in angel hair stainless steel with imagery of tree branches.

Restaurant facade and ImageWall screen in angel hair stainless steel with imagery of tree branches.

Restaurant facade and ImageWall screen in angel hair stainless steel with imagery of tree branches.

Restaurant facade and ImageWall screen in angel hair stainless steel with imagery of tree branches.

Interior of restaurant viewing ImageWall screen in angel hair stainless steel.

Interior of restaurant viewing ImageWall screen in angel hair stainless steel.

Detail of ImageWall screen in angel hair stainless steel.

Detail of ImageWall screen in angel hair stainless steel.

Restaurant facade and ImageWall screen in angel hair stainless steel with imagery of tree branches.

Restaurant facade and ImageWall screen in angel hair stainless steel with imagery of tree branches.

Detail of ImageWall screen structure.

Detail of ImageWall screen structure.

Detail of ImageWall screen structure.

Detail of ImageWall screen structure.

Interior of restaurant viewing ImageWall screen in angel hair stainless steel.

Interior of restaurant viewing ImageWall screen in angel hair stainless steel.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2016/10/07130526/blue-mesa-photo-c-zahner-7522.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1667 2500 Winifred Wright https://www.azahner.com/wp-content/uploads/2020/05/logo.svg Winifred Wright2016-10-15 20:00:372025-05-05 07:39:26Blue Mesa Restaurant
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