International | Zahner

Liverpool Mexico

August 15, 2016/in Exterior Architecture, Interior Architecture Flagship, Retail & Commerce International, Mexico, Mexico City Rojkind Arquitectos L, XL 2011 /by cmorris

Liverpool Interlomas Flagship Department Store in Mexico City

Liverpool Interlomas Department Store is a commercial mall development designed by Rojkind Arquitectos with a Zahner-engineered and fabricated facade system. The new Liverpool Flagship Store is part of the Paseo Interlomas Mall located in the Interlomas neighborhood of Huixquilucan a suburb of Mexico City.

Zahner was selected by Rojkind Arquitectos to design the Liverpool Interlomas Facade because of Zahner’s proven ability to design and produce complex curvilinear forms. The process was efficient, on-time, and under budget, which is a result of the BIM-informed digital manufacturing process.

“

Even though we had never collaborated with them, Zahner’s credentials and experience clearly indicated that they were the ideal candidate for this project.

The design and fabrication process we went through has been one of the most rewarding collaborations we have had in recent years.

Gerardo Salinas, AIAPartner at.atcategory

Liverpool Interlomas in Mexico City, designed by Rojkind Arquitectos.

DESIGNING THE LIVERPOOL INTERLOMAS FACADE

The architecture firm Rojkind Arquitectos won the competition to design the flagship store for Liverpool in Mexico City. Designed and built in just over a year’s time, the project’s fast-paced process was made possible by digital construction processes and having all contractors and fabricators on-board with the Building Information Model (BIM).

In early 2011, Architect Michel Rojkind and his design team met at the Zahner Headquarters in Kansas City. There they worked to define the details with the Liverpool clients, the installation contractor, the structural engineer, the lighting consultant, and Zahner’s own Design Assist Group. The teams worked together to design-engineer an integrated model, and then agreed on a section of that model to be built as a mockup.

The flagship store was produced to rebrand the chain with a contemporary image for its Mexico City shoppers, in the same way that other flagship stores such as the Neiman Marcus in Natick Massachusetts re-established their contemporary presence using architectural forms.

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Neiman Marcus

Elkus Manfredi Architects designed the facade's undulations with perspective in mind. When travelers drive by, the structure appears animated and kinetic, an effect caused by the way the facade curves in and out. Zahner worked with the architects to design a curving facade panel system that is both aesthetically powerful as well as economically effective.

Rojkind and the Design Team meet at Zahner.

Exploded details of the Liverpool Interlomas ZEPPS Integration.

Liverpool Interlomas full section and skin details.

Detail of the mockup for Liverpool Mexico

Within a matter of weeks, a fully-functional mockup was produced and installed on the Zahner mock-up tower, pictured above. The mockup is a crucial stage of the design process, revealing issues to work out in the final iteration, and helping Zahner engineers and fabricators foresee the more difficult aspects of an upcoming project.

The mockup also assisted other contractors on the job. The installer in Mexico City was able to use the mockup to gain an understanding of how best to assemble and install the final components. Zahner worked with the entire design and ownership team to optimize the fabrication and shipping sequences for efficiency so as to meet the demands of the aggressive construction schedule.

Liverpool Mockup on the Zahner Mockup Tower.

Zahner artisans fabricate the Liverpool ZEPPS Components.

This facade functioned as a design-build project, defined by the Design Assist Group at Zahner. This means that Zahner owned the design of the anchoring and worked with the structural engineer on an integrated design. Using the Design Assist Group also means that from the very onset of the project’s planning stages, a team of intelligent designers and engineers at Zahner were defining the details which would ensure a smooth production and installation process.

After producing the mockup in January 2011, the team made subtle revisions to the project’s 3D model. The Liverpool project then quickly went to operations and fabrication. Code-named Project 7, The Liverpool Project was a fast-paced design, build, and supervised install. In less than a year the project went from drawings and renderings to completion, in November of 2011.

Building with ZEPPS

The Design Assist Group at Zahner used the ZEPPS Process to engineer and produce the massive panels which attach to the building’s structure and provide the uniform surface for the Angel Hair Stainless steel skinned surface.

The ZEPPS Assemblies were fabricated and assembled as complete panels in the Zahner Shop in Kansas City, where they were shipped on trucks to the job site in Mexico City. Building the exterior facade with ZEPPS drastically reduces the construction time because the panels simply bolt to existing connections on the steel structure.

Liverpool Installation and Construction.

Installers meet at the Liverpool Interlomas.

Liverpool Flagship Store nears completion.

The project features a diffused Angel Hair stainless steel material for its exterior an interior cladding. In select areas, the project also features Zahner’s GB-60 Process for bead-blasting stainless steel, and a number of bumped and embossed surfaces can be seen throughout both the interior and exterior surfaces.

Interior metalwork for the Interlomas Store.

Hendrix Mexico Sculpture

August 15, 2016/in Art & Sculpture Public Art, Sculpture International, Mexico, Mexico City Hendrix + Studio Jan Hendrix S 2013 /by cmorris

Jan Hendrix Mexico Sculpture for Private Collection

Produced using milled plate-aluminum, this sculpture is a permanent installation in Central Mexico, one of several projects by artist Jan Hendrix produced by Zahner. Mr. Hendrix has worked with Zahner on numerous occasions for projects in the United States, Mexico, and Qatar.

Completed in 2013, the latest Jan Hendrix sculpture was commissioned by a private collector as a permanent installation on the client’s property. The human-scale sculpture includes a landscaped lighting system designed to accentuate the polished aluminum surface.

The material is a plate aluminum, polished to a near-mirror finish. The artist desired a highly reflective aesthetic for the surface. Many of the artist’s thick-cut metal designs were manufactured by Zahner using water jet cutting which gives the metal surface a matte edge. For this project, the artist desired a reflective edge. Zahner worked with the artist to develop a milling technique which prevented the need for additional buffing and polishing of the aluminum surface.

Milling the aluminum also gave the artist flexibility for how the cuts were removed from the material. Zahner worked collaboratively with Jan Hendrix through several different iterations, discovering that a special mill tip and machine speed gave the best finish. The softened edge makes the piece more approachable and touchable as a consideration of the artwork’s street-level presence. The final cut features a rounded bevel and a polished edge which gives the milled aluminum surface an aesthetic of liquid metal. Upon the artwork’s completion, Jan Hendrix mentioned that the chosen finish gave the work a jewelry-like effect, stating that the piece looked as though it was cut from pure silver.

Jan Hendrix sculpture for private collector at night.

Detail of the polished aluminum surface.

Detail of the polished and milled aluminum surface.

Aerial view of the Jan Hendrix sculpture.

View through the milled aluminum sculpture.

Fairmont Pacific Rim

August 15, 2016/in Exterior Architecture Hospitality, Parking Structure Canada, International, Vancouver BC James KM Cheng Architects L, M 2010 /by cmorris

Fairmont Pacific Rim in Downtown Vancouver BC, Canada

Located in downtown Vancouver, BC, Canada, a 44-story hotel was designed by James KM Cheng, just blocks from the Pacific Ocean. Zahner became involved when the architects opted for a perforated screen system which would disguise the first few floors of office and parking structures, while allowing light and air to enter through the thousands of tiny perforations.

What sets this perforated screen apart from standard fare is its unique surface design, a patterned perforated and bumped texture which subtly glistens across the surface. Architects wanted to solve two problems with one solution: creating a parking garage with an open air-flow, and an artistic facade surface that reflected the building’s natural surroundings.

Using Zahner’s patented ZIRA system, architects supplied Zahner with a photograph of the surrounding forest. The image was transferred onto the metal using perforations and dimples in the stainless steel. All across the building’s structure, trees create vertical lines running up and down the facade, and the forest emerges.

Fairmont Pacific Rim designed by James KM Cheng.

Translating the Image to Metal

The architect supplied a photograph of redwood trees taken in the surrounding nature of Vancouver, pictured below. The image was translated using software originally developed by Zahner for the de Young Museum in San Francisco.

The translated image data was applied across the metal surface algorithmically to account for panelization. Each of the perforated metal panels is designed with metal flange details that the ZIRA™ Process had to account for in the process of translating data. The image flows seamlessly across these panels and around the building’s corner edges.

Original Photograph supplied to Zahner for the ZIRA™ Visualizer Process.

The architects wanted to create a rippled effect with the metal, to create a surface both luxurious and functional. Using the ZIRA Process enables the architect to create this surface at a cost not much higher than a uniformly perforated surface.

No panel is the same, and the pattern never repeats itself across the stainless steel surface. Both the perforated surface as well as the bumped and dimpled texture were produced using a system of CNC-controlled punches and dies.

Detail of the custom perforated facade for Fairmont Pacific Rim.

Detail of the perforated metal facade on Fairmont Pacific Rim

Detail of the Fairmont Pacific Rim perforated panels and signage.

Daeyang Gallery

August 15, 2016/in Exterior Architecture Museum, Residential Asia, International, Seoul--South Korea E.Rae Architects, Steven Holl Architects Red M 2011 /by cmorris

WRNS Studio is an architecture and planning firm that provides sustainable design for education, healthcare, transportation, civic and urban mixed-use. The award-winning firm is recognized nationally, and is based in San Francisco with offices in New York City and Honolulu.

The firm has developed a growing number of works with Zahner, starting with the the Studio Libeskind-designed Contemporary Jewish Museum in which WRNS served as Architect of Record. Since then, Zahner has worked with WRNS on a number of projects, develop their unique design concepts into custom architectural systems, featured below.

Daeyang Gallery and House

Designed by Steven Holl Architects with architect of record E.Rae Architects of Seoul, this unique structure serves dual purposes, as both a residential guest house as well as an art gallery for visitors. JongSeo Lee of Steven Holl Architects was the associate in charge, and the project was completed in 2011.

The structure’s geometry is inspired by a John Cage sketch for a music score by the composer Istvan Anhalt, ‘Symphony of Modules,’ which Cage illustrated in an abstract form. The unusual shaped composition has now been reimagined as the plan layout of the Daeyang residence, continuing the chain from music, to art, to architecture.

This state of continued change and process informs many aspects of the building. Zahner worked closely with both the owner and the design team to develop a custom patina for the copper panel system that would match the desired coloration with natural warmth and texture.

Related Surface

Daeyang Gallery

Because of the unique range of tones and the material’s rich aging process, copper holds a special significance in the hearts and minds of those at Zahner. The material’s tone and color is perpetually in a state of flux, changing with each location based on the temperature, moisture, and pollutants in its environment.

This constant state of change will add character and soul to the gallery’s surface. The custom deep red tone that was developed will likely darken over time, and eventually may even begin to green and blue. The difference between copper and other materials, is that this constant state of ‘corrosion’ is actually the process of forming a stunningly beautiful protective barrier which will outlast any sealer, paint, or protective coating.

View through the slats of the Daeyang Gallery entrance.

Architect's model of the Daeyang Gallery and House.

Front gates of the Daeyang Gallery and House.

Detail of the copper patina for the Daeyang Gallery and House.

Panoramic of the Daeyang Gallery and House during construction.

Bamboo form construction for Daeyang Gallery and House.

Copper wall panel for the Daeyang Gallery and House.

Daeyang Gallery and House during construction.

Installation of wall panel systems for Daeyang Gallery and House.

The custom panels were installed by local workers in Seoul, South Korea. Zahner supplied the pre-engineered panels which securely locked into the substructure. Photographs of the completed building can be viewed at Steven Holl Architects website.

Basrah Sports City

August 15, 2016/in Exterior Architecture Arena & Stadium Asia, Basra--Iraq, International, Middle East HOK Brown L, XL 2012 /by cmorris

Sports City Stadium in Basra, Iraq

Designed by 360 Architecture (now HOK), the new Basrah Sport City Center is part of a larger sports complex that aims to boost the city as a sporting center in the Middle East. Zahner provided the perforated weathering steel exterior panels. Zahner also provided a number of interior metal surfaces.

The perforated steel was a pre-weathered Solanum Steel, a Zahner-manufactured weathering steel (corten) product. The product was designed for architectural projects requiring a stable finish and patina with minimal staining of adjacent surfaces.

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Basrah Sports City

Timelapse of the Basra Stadium Mockup in Kansas City.

PHOTO © A. ZAHNER COMPANY

Art Wall at Doha

August 15, 2016/in Art & Sculpture, Exterior Architecture, Interior Architecture, Landscape Architecture Education, Sculpture Asia, Doha--Qatar, International, Middle East Hendrix + Studio, Legorreta + Legorreta Jan Hendrix White M 2010 /by cmorris

Art Wall at HBKU Doha University – Student Center

Completed in the Summer of 2010, Helix is a project designed by artist Jan Hendrix with architectural firm Legoretta & Legoretta of Mexico. Zahner engineered and manufactured the painted aluminum panels and substructure in Kansas City and shipped the completed pieces to Doha, Qatar, where local installers placed the large metal plates on both the interior and exterior frameworks.

The project involves hundreds of massive water jet cut and painted aluminum panels, and includes a 40′ high tower in the center courtyard. The pattern cut into the panels replicates the drawings of Jan Hendrix.

Related Project

Hendrix Mexico Sculpture

Completed in 2013, the latest Jan Hendrix sculpture was commissioned by a private collector as a permanent installation on the client's property. The human-scale sculpture includes a landscaped lighting system designed to accentuate the polished aluminum surface.

Designed to Build

Jan Hendrix worked closely with the Zahner Design Assist team to develop the project for production. The artist provided to Zahner both a digital model as well as multiple physical models as the design progressed.

The project required close attention to each panel’s relation to one another, so that the artist’s lines would transition without breaks from panel to panel. This is called the ‘Parametric Relationship’ and it’s a key part of the ZIRA patented system developed by Zahner to translate images, drawings, and patterns into metal panel systems.

From left to right: Jan Hendrix, Zahner President CEO L. William Zahner, and Zahner Engineering Director Paul Martin

The completed project features the artist’s pattern on both the interior and exterior of the student center. Note how the lines transition smoothly across seams from plate to plate. Zahner engineers worked to transfer the artist’s drawings into metal, all while maintaining the system’s parametric relationship.

Each half-inch plate is 20 feet by 8 feet, and the material was water-jet cut on our system of the same size. To see how artists are collaborating with Zahner, including works by Jan Hendrix, visit Hands of the Artist.

Zahner worked with the artist, Jan Hendrix, to define his image digitally so that it could be water-jet cut and fabricated into a cohesive composition with smooth lines flowing across multiple panels.

The public artwork and courtyard is located in the outer edges of Northwest Doha, Qatar. The project was one of the first to be completed with Jan Hendrix, who has worked with Zahner engineers and fabricators on a number of projects. Learn more about producing similar surfaces in water jet-cut aluminum by Contacting Zahner.

Art Gallery of Alberta

August 15, 2016/in Exterior Architecture, Interior Architecture Museum, Renovation Canada, Edmonton--Alberta, International Randall Stout Architects Blue-grey, Grey, Silver, White L 2010 /by cmorris

Art Gallery of Alberta in Edmonton, Canada

The Art Gallery of Alberta (AGA) is a Canadian Museum in downtown Edmonton which features a Zahner-manufactured curvilinear canopy and building envelope system. The building was designed by Randall Stout Architects with local firm HIP Architects in Edmonton.

Zahner’s scope included a massive ribbon of stainless steel which wraps around and through the building. Known as ‘The Borealis’, this curvilinear form evokes the Northern Lights, a frequent phenomenon of the Edmonton night sky. The borealis snakes through the gallery’s interior and emerges above the building to form the roof’s canopy, and then drops again to serve as a “snow cone,’ collecting snow and ice.

The sleek curving borealis is paneled in a stainless steel skin system developed by Zahner. The applied non-directional surface treatment of the metal gives the building its muted glow, reducing and nearly eliminating any harsh glare from the sun.

Outside view of the Art Gallery of Alberta Deck.

The curving borealis winds through the AGA Cafe.

The ‘borealis’ is engineered using ZEPPS technology, a system developed by Zahner to simplify the construction of complex structures and facades. For a curvilinear form that wraps around and within the building, an intelligent structural system was required to handle the curves and handle all structural loads. These fully pre-assembled megapanels were delivered to the site so that the local installers could easily install the pre-fabricated panels.

The building also features a variation on the Hunter Zinc preweathered patina on zinc. This surface is used throughout the interior and exterior on flat and geometric surfaces. It is similar in appearance to slate or limestone.

Preweathered Zinc Patina used on the interior and exterior wall faces.

Flatseam preweathered zinc panels on the Art Gallery of Alberta

Making the Art Gallery of Alberta

Zahner is one of the few organizations in the world that has a dedicated team for handling design-engineering processes. Design Assist divided the project and translated the architects’ intent into engineered subsections and parts which the draftsmen and project engineers can then rapidly push to the fabrication facility.

Design Assist produced several scale mockups of both the flat-lock zinc siding as well as the curvilinear Angel Hair stainless steel surface. These mockups give a sense of the upcoming quality, as well as aid in identifying potential problems and develop essential solutions.

Zahner design-engineered, fabricated, delivered the components of the Art Gallery of Alberta for intelligent installation by the Canadian installers. This process was made possible by intensive design consulting sessions early in the planning process, facilitated by Zahner Design Assist.

Design Assist | BIM to Build

As the construction world continues to move towards digital and cloud computing, Zahner fully integrates into Building Information Modeling (BIM) frameworks, so that all participants are aware every stage of construction.

The structure for the Art Gallery of Alberta was divided into several complex components, and to keep the entire project organized required a strong BIM foundation. Drawings from the architect were digitally defined and refined into a working model which served to involve every aspect of its construction.

This makes complex components, such as the architectural metal wing flying through the window, possible (see below). Coordinating multiple trades is one of the big strengths of BIM. It also plays a large role in condensing the construction down to its essentials.