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Standard Parking

August 15, 2016/in Exterior Architecture Parking Structure Kansas City George Butler Architects Grey, Silver L 2001 /by cmorris

Standard Parking Garage at 11th & Oak

Designed by George Butler Architects for the Power & Light District of Downtown Kansas City, this is a parking structure’s facade was constructed using stainless steel as well as perforated aluminum surface to allow airflow for an otherwise congested space.

The aluminum screen wall was engineered, custom perforated, and installed as an facade panel system. The system also has uses for unusual panel sizes and unique details, as was the case with Standard Parking. Each of the panels was installed using an the Inverted Seam dry-joint system for integrated walls. The cornice and bold stainless steel fins were engineered, fabricated and installed to digitally defined coordinates.

Four massive stainless steel-clad fins rise at the building's center.

FOUR MASSIVE STAINLESS STEEL-CLAD FINS RISE AT THE BUILDING’S CENTER.

PHOTO © A. ZAHNER COMPANY.

Standard Parking Garage at 11th and Oak.

STANDARD PARKING GARAGE AT 11TH AND OAK.

PHOTO © A. ZAHNER COMPANY.

Standard Parking Garage During Construction.

Standard Parking Garage During Construction.

Photo © A. Zahner Company.

Standard Parking Garage During Construction.

Standard Parking Garage During Construction.

Photo © A. Zahner Company.

Rooftop awning at Standard Parking.

Rooftop awning at Standard Parking.

Photo © A. Zahner Company.

Standard Parking at dusk.

STANDARD PARKING AT DUSK.

PHOTO © A. ZAHNER COMPANY.

Rooftop awning system in Kansas City.

Rooftop awning system in Kansas City.

Photo © A. Zahner Company.

Interior staircase details at Standard Parking Garage in Kansas City.

Interior staircase details at Standard Parking Garage in Kansas City.

Photo © A. Zahner Company.

West elevation of Standard Parking Garage in Kansas City.

West elevation of Standard Parking Garage in Kansas City.

Photo © A. Zahner Company.

Detail of the Angel Hair® surface used on the stainless steel fins.

Detail of the Angel Hair® surface used on the stainless steel fins.

Photo © A. Zahner Company.

Detail of the stainless steel fins with Angel Hair® Stainless Steel.

Detail of the stainless steel fins with Angel Hair® Stainless Steel.

Photo © A. Zahner Company.

Interior mullion attachment for the perforated metal aluminum panels.

Interior mullion attachment for the perforated metal aluminum panels.

Photo © A. Zahner Company.

Building the Standard Parking Garage

Zahner developed the design for Standard Parking Garage using drop and lock details to enable quick and simple installation. Each of the panels locks into anchored connections on the concrete structure. This enabled a rapid schedule for the project’s facade. 

The above photographs were more than a decade after the project’s completion. Stainless steel is often chosen over aluminum due to its high-performance sheen which never dulls and requires no maintenance. Aluminum is more porous, and over time it begins to dull, but this is not yet the case with Standard Parking Garage screen-wall.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24113554/1_standard-parking-facade-2294.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-08-15 23:32:022020-10-26 16:49:14Standard Parking

Spaceport America

August 15, 2016/in Exterior Architecture Airport, Museum New Mexico Foster & Partners, SMPC Architects Brown L 2011 /by cmorris

New Mexico Spaceport Authority Building

Spaceport America is the first private spaceport in the world. Located in Truth or Consequences, New Mexico, the new terminal to the stars was designed by Foster + Parners with architectural and engineering services by URS team. The Terminal Hangar Facility is itself a hangar for aircraft, and it provides a space for both the visitors and space tourists, as well as the spaceships themselves.

Zahner was selected as the supplier and installer of the outer Solanum Steel panels which guide visitors into the building. The material is suited both in color and in performance for the New Mexico landscape surrounding the structure. The organic shape of the building rises out of the golden desert as a functional spaceport for the center of international space tourism.

Spaceport America with Solanum Steel.

Spaceport America with Solanum Steel.

Photo © A. Zahner Company.

Detail of the eggplant-toned Solanum surface at the entrance to Spaceport America.

Detail of the eggplant-toned Solanum surface at the entrance to Spaceport America.

Photo © A. Zahner Company.

Building Spaceport America

Zahner produced the Solanum steel gates which unveil the planes within as well as the tapered entrance as visitors first approach the Spaceport. The exterior’s pre-weathered steel facade panels were installed by Zahner field operators on various aspects of the building envelope.

In addition to fabricating and installing the custom exterior panel system, Zahner was brought on as a consulting partner to explore different artistic possibilities for both the interior and exterior metalwork. The team explored a variety of surface options with the design team.

Spaceport America nears completion in Truth or Consequences, New Mexico.

Spaceport America nears completion in Truth or Consequences, New Mexico.

Photo © A. Zahner Company.

View of the massive Solanum-clad doors on the Spaceport America.

View of the massive Solanum-clad doors on the Spaceport America.

Photo © A. Zahner Company.

Photograph of the header panels before installation on Spaceport America.

Photograph of the header panels before installation on Spaceport America.

Photo © A. Zahner Company.

Detail of the Solanum surface at the hangar.

Detail of the Solanum surface at the hangar.

Photo © A. Zahner Company.

Detail of the Spaceport gates.

Detail of the Spaceport gates.

Photo © A. Zahner Company.

Related Surface

Spaceport America

The project is commissioned by the New Mexico Spaceport Authority (NMSA) and Virgin Galactic, the company forging the future of space travel for individual citizens. Designed to have minimal carbon impact and meeting many energy requirements, the project is designed to achieve LEED Platinum accreditation.

The low-lying shape of the spaceport benefits from thermal mass, buffering the building from extreme heat and colds common in the New Mexico landscape, as well as catching the westerly winds for ventilation. Natural light enters via skylights, and the glazed east wall provides a platform for viewing the runway.

Detail of the Solanum weathering steel-clad gate system.

Detail of the Solanum weathering steel-clad gate system.

Photo © A. Zahner Company.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24120503/1_spaceport-solanum-1932.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-08-15 23:32:012025-05-05 08:40:08Spaceport America

Silver Towers

August 15, 2016/in Exterior Architecture, Landscape Architecture Highrise, Residential New York City James Carpenter Design Associates Silver L /by cmorris

Silver Towers Courtyard Trellis in New York

Silver Towers is a development in New York City which features Zahner manufactured perforated metal and glass systems. The courtyard, plinth and rooftop terrace design by James Carpenter Design Associates, brings an artistic approach to both the facade as well as the landscape for the residential project.

Between the two high-rise towers is a six floor plinth, the interior courtyard of which features a 75 foot light wall. Various metal and glass light fixtures which feature the artist’s pattern.

Zahner was hired by the architect to design, engineer, and fabricate these metal and glass systems. Each of the fixtures features a perforated metal floral pattern designed by the architect, contained within a glass and stainless steel lightbox.

Also known as River Place II, the project features two 57 floor twin towers and is located in the Hell’s Kitchen neighborhood of Manhattan Island. The project was developed by Larry Silverstein and completed in 2009.

Perforated panels on Hope Tower at UNMC at dusk. Perforated panels on Hope Tower at UNMC at dusk.
Related Project

Hope Tower at UNMC

The tower serves provides a beacon for students, serving as both a navigational tool and an artistic centerpiece. Zahner provided the ti-coated stainless steel panels, perforated and prepped for installation onto the architect's engineered frame. These panels were engineered and produced at Zahner at the Kansas City plant.

Silver Towers Courtyard at dusk.

Silver Towers Courtyard at dusk.

Photo © A. Zahner Co.

Silver Towers bridge floors at dusk.

Silver Towers bridge floors at dusk.

Photo © A. Zahner Co.

Silver Towers light fixtures and metalwork.

Silver Towers light fixtures and metalwork.

Photo © A. Zahner Co.

Silver Towers entrance at night.

Silver Towers entrance at night.

Photo © A. Zahner Co.

Silver Towers Mockup at the Zahner shop.

Silver Towers Mockup at the Zahner shop.

Photo © A. Zahner Company

Silver Towers Mockup with lighting system

Silver Towers Mockup with lighting system

Photo © A. Zahner Company

Silver Towers in New York City

Silver Towers in New York City

Photo © Vince Muñoz

Above is a photograph of the towers during the day. Zahner produced some metalwork at the building’s top, similar in pattern and effect to those in the building’s courtyard. This rooftop courtyard has not yet been photographed.

Silver Towers is the first project that Zahner has provided metalwork for James Carpenter Design Associates. Recently, Zahner also completed a spiraling 120 foot tower in Nebraska for the architectural firm.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24115632/1_silver-towers.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-08-15 23:32:002020-10-26 16:55:15Silver Towers

Shafran Planetarium

August 15, 2016/in Exterior Architecture, Interior Architecture Museum, Renovation Cleveland--Ohio Westlake Reed Leskosky Rose L 2002 /by cmorris

NATHAN AND FANNYE SHAFRAN PLANETARIUM, CLEVELAND MUSEUM OF NATURAL HISTORY

The Nathan and Fannye Shafran Planetarium in Cleveland, Ohio was designed by architectural engineering firm Westlake Reed Leskosky. Zahner covered the planetarium cone in a custom rose-colored titanium/stainless steel skin, the first outdoor use of the material in North America. Embedded within each panel, fiber-optic lights reference and reinforce the structure’s star-focused purpose.

Related Surface

Shafran Planetarium

Shafran Planetarium at dusk.

Shafran Planetarium at dusk.

Photo courtesy Westlake Reed Leskosky

Designing a uniquely functional exterior facade system

In addition to the functional aspects of housing the planetarium, the architects used the building’s design to create an ingenious educational opportunity. The building’s chamfered roof is pitched to 41.5 degrees, in direct alignment for visitors to follow the building lines into the sky to locate Polaris, the North Star.

The planetarium officially opened in 2002, and in doing so, set the bar for planetariums worldwide by blending advanced technology with real-world experiences.

Interior of the Shafran Planetarium

Interior of the Shafran Planetarium

Photo courtesy Westlake Reed Leskosky

The cone is visible from within the planetarium's interior

The cone is visible from within the planetarium’s interior

Photo courtesy Westlake Reed Leskosky

Nathan and Fannye Shafran Planetarium during the day

Nathan and Fannye Shafran Planetarium during the day

Photo courtesy Westlake Reed Leskosky

The interior titanium surface reflects less light

The interior titanium surface reflects less light

Photo courtesy Westlake Reed Leskosky

Small lights dot the exterior surface

Small lights dot the exterior surface

Photo courtesy Westlake Reed Leskosky

Viewers can align themselves with the roof from this angle and locate the North Star

Viewers can align themselves with the roof from this angle and locate the North Star

Photo courtesy Westlake Reed Leskosky

Aerial view of the Shafran Planetarium

Aerial view of the Shafran Planetarium

Photo courtesy of Bing Maps

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24115931/1_cleveland-titanium.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-08-15 23:31:592020-10-26 16:57:25Shafran Planetarium

September 11 Museum

August 15, 2016/in Exterior Architecture Memorial, Museum New York City Handel Architects, Snøhetta Silver L 2014 /by cmorris

National September 11 Memorial Museum Pavilion

The National September 11 Memorial Museum resides in the space between where the Twin Towers once stood in New York City. Designed by Snøhetta with Handel, Zahner manufactured the custom facade skin for the building. The architects worked with Zahner engineers and designers in the Design Assist team to develop the facade system. Zahner unitized the metal systems in Kansas City and then shipped everything to the job site for installation.

Related Project

911 Memorial Overland Park

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One World Trade Center with 911 Museum.

One World Trade Center with 911 Museum.

911 Museum with waterfall at the WTC Memorial.

911 Museum with waterfall at the WTC Memorial.

911 Museum stainless steel soffit.

911 Museum stainless steel soffit.

Striating stainless steel panel system used on the 911 Museum facade.

Striating stainless steel panel system used on the 911 Museum facade.

Photo © A. Zahner Company.

South facade for the National September 11th Museum.

South facade for the National September 11th Museum.

Photo © A. Zahner Company.

South facade for the National September 11th Museum.

South facade for the National September 11th Museum.

Photo © A. Zahner Company.

Developing the 911 Museum Metal Facade

The panels were tested for wind loads and water permeability at a special facility. The panelization method used for the project required welding studs to the reverse of each panel. Zahner-trained fabricators welded the hardware at ideal penetration so that the stud-welds wouldn’t show on the face of the metal panels.

The surface of the metal shell alternates between GB-60 polish and a No. 4 polish on stainless steel. The No. 4 polish has greater reflectivity along a linear grain, while the GB-60 surface scatters light for a more diffused look. This alternation repeats itself as a motif in not only the stainless steel facade, but also across the fenestration surface.

Detail of the 911 Museum facade in New York City.

Detail of the 911 Museum facade in New York City.

Photo © A. Zahner Company.

Zahner's NS11 mockups were tested for high moisture and winds.

Zahner’s NS11 mockups were tested for high moisture and winds.

Zahner fabricator installs studs on the backs of NS11 Panels.

Zahner fabricator installs studs on the backs of NS11 Panels.

Zahner's NS11 mockups were tested for high moisture and winds.

Zahner’s NS11 mockups were tested for high moisture and winds.

National September 11 Museum during construction

National September 11 Museum during construction

Detail of the National September 11 Museum stainless steel surface

Detail of the National September 11 Museum stainless steel surface

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24112343/1_911-museum-photo-c-zahner-9084.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-08-15 23:31:572020-10-26 17:04:35September 11 Museum

Royals Crown

August 15, 2016/in Art & Sculpture, Exterior Architecture Arena & Stadium, Flagship Kansas City Populous Gold L /by cmorris

Royals Crown at Kauffman Stadium

The new Royals Crown at the Royals Ballpark was designed by Populous in two stages for the Kauffman Stadium. The golden structure was designed to crown the new vertical screen at the stadium, one of the largest screens of its kind in the world.

Zahner was responsible for engineering, fabricating, and installing the Kauffman Stadium Crown using gold interference-coated stainless steel. The metal skin of the interference coating is nearly iridescent, and gives the surface an additional bright sparkle.

This stainless steel also features a machine-indented surface. Imperceptible from a distance, this fine-bumped surface reduces the oil-canned appearance common among thin-gauged metal.  Each of the spheres at the peaks of the crown are outfitted with hundreds of LED lights that light up for various effects and illuminate the night sky.

KAUFFMAN STADIUM FACADE WITH PERFORATED “ROYALS” LOGO EMBLAZONED ON ITS WALL. KAUFFMAN STADIUM FACADE WITH PERFORATED “ROYALS” LOGO EMBLAZONED ON ITS WALL.
Related Project

Kauffman Stadium

The new structure at the Royals stadium features two sections which use selective perforations in stainless steel to create the image of the Royals logo on the surface of the metal.  This perforated surface  wraps the entire building, yielding a mesh facade which provides light, air control, and a visually intriguing artistic aesthetic.

Kauffman Stadium Crown for the Royals in Kansas City

KAUFFMAN STADIUM CROWN FOR THE ROYALS IN KANSAS CITY

PHOTO COURTESY MIKE SINCLAIR

Zahner has produced several projects using the interference-coated metal surface, including Contemporary Jewish Museum which has a dark blue interference coating and a cross-fire brushed pattern. Interference stainless steel was also used on the The Experience Music Project, The Meyer Fletcher Residence, and the Neiman Marcus in Natick, Masssachusetts.

Building the Kauffman Crown

The shop photos and CAD images above show the substructure used to build each of the spheres. These were produced using the ZEPPS Process, a system which uses an extruded aluminum substructure to assist in the creation of curving shapes and forms. The ZEPPS Process was developed to simplify the construction of curves on complex curvilinear buildings such as those designed by Frank Gehry and Randall Stout. The physical components used in this process can also be seen on the surface of the Zahner Headquarters building in Kansas City, which intentionally was designed to leave this substructure exposed.

The video below was produced by The Royals to show the way in which Zahner was involved in the production of the Royals Crown a massive Stainless Steel Crown which sits atop the new digital scoreboard and video screen.

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The first stage of the Crown was completed in 2008. In 2010, Zahner added a reverse section to the Kauffman Stadium Crown, so that the substructural components would not be visible from the I-70 Highway which runs to the North of the Stadium. Zahner was also responsible for producing the perforated stainless steel Royal Logo facade at Kauffman Stadium. This section wraps around the sides of the stadium, and provides an additional visual aesthetic to the Royals Ballpark.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24123850/1_kauffman-stadium-crown-c-mike-sinclair.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-08-15 23:31:562025-03-05 18:18:12Royals Crown

Rosenthal Museum

August 15, 2016/in Exterior Architecture, Interior Architecture Museum Cincinnati--Ohio KZF Design, Zaha Hadid Architects Black L 2003 /by cmorris

Lois & Richard Rosenthal Center for Contemporary Art

The Center for Contemporary Art opened in 2003 and is the first Museum in the United States designed by Zaha Hadid. Located in Cincinnati, Ohio, the project uses blackened aluminum, an uncommon patina which was produced with great difficulty, and sealed to decrease the need for maintenance. This custom dark aluminum surface was desired by Zaha Hadid to provide contrast against the light concrete above and below, giving the sturcture an almost anthropomorphic resemblance.

These plates of blackened aluminum use a siding system which repels moisture. These were engineered to interlock in such a manner to control thermal movement without compromising the moisture deterrence requirements. This was important due to the installation on concrete, which breathes. The aluminum plate panel system features custom extruded hardware fastened using matching aluminum studs for a visually seamless system. This hardware is attached to the horizontal aluminum hat channel.

Several years after the initial install, streaks were running down it’s surface, and the owners contacted Zahner to provide repair. Upon closer inspection of the material, Zahner discovered that it was moisture from the concrete which was draining across the surface. The aluminum was cleaned without any problem back to its original finish.

Zahner also completed interior metalwork including a blackened aluminum plaque on the museum’s interior, laser-etched with the names of all the donors.

The Lois & Richard Rosenthal Center for Contemporary Art.

THE LOIS & RICHARD ROSENTHAL CENTER FOR CONTEMPORARY ART.

Southwest view of the Rosenthal Center for Contemporary Art.

SOUTHWEST VIEW OF THE ROSENTHAL CENTER FOR CONTEMPORARY ART.

Interior photograph of the Lois & Richard Rosenthal Center for Contemporary Art.

INTERIOR PHOTOGRAPH OF THE LOIS & RICHARD ROSENTHAL CENTER FOR CONTEMPORARY ART.

Interior photograph of the Lois & Richard Rosenthal Center for Contemporary Art.

INTERIOR PHOTOGRAPH OF THE LOIS & RICHARD ROSENTHAL CENTER FOR CONTEMPORARY ART.

Interior detail of the donor list at Rosenthal Center.

INTERIOR DETAIL OF THE DONOR LIST AT ROSENTHAL CENTER.

Southeast view of the Rosenthal Center for Contemporary Art.

SOUTHEAST VIEW OF THE ROSENTHAL CENTER FOR CONTEMPORARY ART.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24115530/1_zaha-hadid-rosenthal-c-tex-jerniganIMG-2807-1.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-08-15 23:31:552021-08-24 15:45:47Rosenthal Museum

Pritzker Pavilion

August 15, 2016/in Exterior Architecture Performance Center, Public Art, Urban Design Chicago--Illinois Frank Gehry Partners Silver L 2004 /by cmorris

Jay Pritzker Pavilion at Millennium Park

Pritzker Pavilion is a one-hundred-foot proscenium located at the North end of Millennium Park in Chicago. Designed by Frank Gehry Partners and manufactured with structural forms by Zahner.

The project consists of fourteen distinct forms, which visually appear as a cohesive whole. Each of these distinct forms is made using a straight stick steel primary structure. A secondary structure manufactured by Zahner attaches to the primary and is then clad in stainless steel by Zahner. 

Each of these fourteen shapes serve to form the bandshell, providing protection from the elements while creating a focal point at the stage and orchestra pit of this dynamic outdoor amphitheater. Architects at Frank Gehry Partners began working with Zahner on this project in 1999, which was completed in 2004. 

Pritzker Pavilion at Millenium Park.

PRITZKER PAVILION AT MILLENIUM PARK.

PHOTO © A. ZAHNER COMPANY.

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In total there were 697 prefabricated assemblies shipped to the jobsite. These assemblies were clad with over 3,000 stainless steel sheets measuring 2′ x 4′ on average. The sheets used for this project are 22ga Angel Hair finish on A316 stainless steel, a high performance stainless steel alloy containing molybdenum, a metal which provides high corrosion resistance for the metal.

The structure reaches a height of one-hundred twenty feet. In several areas, the structure curves back on itself, becoming nearly horizontal. The metal surface of this project is clad in stainless steel with a custom flat seam panel for dual curvature. The near-flat surface it creates, allowing the viewer to focus on the entirety of the shape rather than being drawn to the individual lines. According to an interview with the architect, the proscenium was inspired by Gehry’s 2001 flagship store for Issey Miyake in New York City, a sculptured titanium also made with Zahner.

Related System

Column Cover

Custom column cover systems provide decorative and functional aspects to both interior and exterior architectural design. Column cover manufacturing has been a mainstay of A. Zahner Company's production for several decades, producing both custom and standard systems for designers all over the world.

Zahner also completed all 24 of the 6′ diameter column covers. These enclose the green area of the park and provide support for the overhead lighting and sound cage over the park. These column covers consist of heavy-gauge stainless steel plate panels rolled to shape and attached with interior fastening system. The columns range in height from 12’ to over 24’ .

Each of the column covers is clad in a 10ga stainless steel, a heavier gauge than the 22ga stainless steel cladding the proscenium. 

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https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24123011/3_pritzker-paviliion-photo-copyr-zahner-1870-2.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-08-15 23:31:542025-02-20 08:29:21Pritzker Pavilion

The Petersen

August 15, 2016/in Exterior Architecture Automotive, Museum, Parking Structure Los Angeles--California Kohn Pedersen Fox Red, Silver L, XL 2015 Featured, Related Work /by cmorris

The Petersen Automotive Museum in Los Angeles, California:

Situated on Los Angeles’ famous Miracle Mile, the newly renovated Petersen Automotive Museum has achieved an iconic status while creating open spaces which invite community engagement. The design encases the building in a red-painted corrugated aluminum rainscreen system which acts as the backdrop for a series of stainless steel structural ribbons. These scopes were engineered, manufactured, and installed by Zahner.

Designed by Kohn Pedersen Fox (KPF) in New York with the construction management by Matt Construction in Los Angeles, Zahner was brought onto the project early on in the planning and development process. Starting under a Zahner Assist (Design Assist) contract, the construction team developed a fabrication and installation strategy with the engineers at Zahner.

This is the second project completed by Zahner with KPF. The two teams worked together prior on the IBM Headquarters in Armonk, New York.

IBM Headquarters at Armonk, New York. IBM Headquarters at Armonk, New York.
Related Project

IBM Headquarters

Nestled within a landscape of 450 wooded, rocky acres some 50 miles from Manhattan, the IBM World Headquarters exemplifies KPF’s demonstrated ability to respond to the natural context and produce an innovative work of architecture. Completed in 1997, the headquarters is the centerpiece of an existing corporate campus in this wooded setting with deep ravines slicing through the landscape.

Petersen Automotive Museum in Los Angeles, California.

PETERSEN AUTOMOTIVE MUSEUM IN LOS ANGELES, CALIFORNIA.

PHOTO © A. ZAHNER COMPANY.

Making the Petersen Automotive Museum

Design development for the Petersen Automotive Museum began in 2012. Principal Trent Tesch knew that the complex shapes would be best defined under a Design Assist contract with Zahner. Examining the forms gave the team an opportunity to approach their design with as much information as possible. Zahner Assist enabled KPF to bring the client into a conversation with Zahner.

Sharing models and preliminary drawings while the design was still conceptual allowed for conversations regarding costs and aesthetics to remain transparent, assisting the client during the decision making process.

The project made use of several Zahner technologies and methodologies: the ZEPPS Process for designing and manufacturing the building’s curved forms; the Angel Hair non-directional surfacing applied to each of the stainless steel skins attached to the curved forms; and Zahner Assist, Zahner’s method for developing complex projects into factory-produced realities. The project also includes an ImageWall custom perforated metal screen which continues the architect’s design, mimicking the stainless ribbons in a perforated metal graphic across the building’s parking structure. The Petersen Automotive Museum is the direct result of a design team confidently departing from convention.

Perforated metal screenwall by Zahner continues the Petersen Automotive Museum's sculptural motif.

PERFORATED METAL SCREENWALL BY ZAHNER CONTINUES THE PETERSEN AUTOMOTIVE MUSEUM’S SCULPTURAL MOTIF.

PHOTO © A. ZAHNER COMPANY.

Underneath the undulating ribbon facade of the Petersen Automotive Museum.

UNDERNEATH THE UNDULATING RIBBON FACADE OF THE PETERSEN AUTOMOTIVE MUSEUM.

PHOTO © A. ZAHNER COMPANY.

A perforated parking garage facade continues the stainless steel ribbon motif.

A PERFORATED PARKING GARAGE FACADE CONTINUES THE STAINLESS STEEL RIBBON MOTIF.

PHOTO © A. ZAHNER COMPANY.

Detail of the facade of the Petersen Automotive Museum.

DETAIL OF THE FACADE OF THE PETERSEN AUTOMOTIVE MUSEUM.

PHOTO © A. ZAHNER COMPANY.

Petersen Automotive Museum

PETERSEN AUTOMOTIVE MUSEUM

PHOTO © A. ZAHNER COMPANY.

Design Assist Mockup for the Petersen Automotive Museum.

Design Assist Mockup for the Petersen Automotive Museum.

Photo © A. Zahner Company.

Design Assist Mockup at dusk for the Petersen Automotive Museum.

Design Assist Mockup at dusk for the Petersen Automotive Museum.

Photo © A. Zahner Company.

The Mock Up as a Design Catalyst

As part of the Zahner Assist contract, we included a to-scale visual mockup. Mockups are included as part of this process in order to aid in design decision making and determine the best method for building any given form. The team selected the lower northeast corner of the building’s design to fabricate as a mockup section. This empowered the design team to determine how the ribbons would wrap around the corner, an integral aspect of the building’s design.

The mockup process provided Zahner crucial insight into how to best develop the red-painted structural steel armatures which are used throughout the project. The mockup also helped the design team establish the ideal color for the painted corrugated aluminum surface.

Zahner installers hang a ZEPPS Ribbon Assembly at the Petersen Automotive Museum.

Zahner installers hang a ZEPPS Ribbon Assembly at the Petersen Automotive Museum.

Photo © A. Zahner Company.

Zahner fabricators create the ZEPPS Ribbon assemblies for the Petersen Automotive Museum.

Zahner fabricators create the ZEPPS Ribbon assemblies for the Petersen Automotive Museum.

Photo © A. Zahner Company.

3D Model of a single ZEPPS Assembly for the Petersen Automotive Museum.

3D Model of a single ZEPPS Assembly for the Petersen Automotive Museum.

Photo © A. Zahner Company.

Zahner field installers at the construction site for the Petersen Automotive Museum.

Zahner field installers at the construction site for the Petersen Automotive Museum.

Photo © A. Zahner Company.

Creating the new Petersen Automotive Museum facade

The existing building, purchased by the Petersen Automotive Museum in 1994, was rectilinear and fairly straightforward in form. It was originally a department store. Six years after the store closed, museum founder Robert Petersen chose the site to house his automotive museum. Since the Museum is nearly devoid of windows, the site was ideal for safely housing Mr. Petersen’s collection without harmful exposure to sunlight.

Because the existing building contained very little glass and was box-like in form, it acted as a blank canvas for the design team. ZEPPS, the Zahner system for developing sculptural forms, was used to build curving stainless steel ‘ribbons’ which wrap the building, giving it a feeling of rapid motion. The result looks similar to the aerodynamic flow diagrams drawn in wind tunnel tests by automotive designers.

Using ZEPPS to Create Dual-Curving Forms

To build complex dual curving forms with the lightest structural loads, Zahner uses the ZEPPS process. ZEPPS stands for Zahner Engineered Profiled Panel Systems, and comprises Zahner’s approach to building complex, curvilinear forms. The crux of the system is the paring down of a complex design into manageable parts for manufacturing.

Using an architect’s 3D model, Zahner’s engineers examine geometry with a manufacturing mindset. Each curve is analyzed and developed into a series of patented aluminum structural components. These components are pre-assembled at the shop and compose the structural form for each ZEPPS Asssembly. Using aluminum extrusions rather than steel allows for a lighter load on the structure of the façade, and also allows for more economical fabrication methods.

The final step in creating with ZEPPS is to clad it in surface material. For the Petersen Automotive Museum, Zahner’s Angel Hair Stainless Steel surface was selected. After the structure is built, each ZEPPS is clad in the desired metal, and loaded onto a truck for field install. By breaking dual curves into units, ZEPPS creates precision within the manufacturing process, and allows for much quicker field installation.

Detail of the Petersen Automotive Museum's Angel Hair Stainless steel.

Detail of the Petersen Automotive Museum’s Angel Hair Stainless steel.

Photo © A. Zahner Co.

Petersen Automotive Museum in Los Angeles, California.

PETERSEN AUTOMOTIVE MUSEUM IN LOS ANGELES, CALIFORNIA.

PHOTO © A. ZAHNER COMPANY.

Roof of the Petersen Automotive Museum.

ROOF OF THE PETERSEN AUTOMOTIVE MUSEUM.

PHOTO © A. ZAHNER COMPANY.

View of Wilshire Blvd during the construction of the Petersen.

View of Wilshire Blvd during the construction of the Petersen.

Photo © A. Zahner Company.

Screenwall at the Petersen Automotive Museum in Los Angeles, California.

SCREENWALL AT THE PETERSEN AUTOMOTIVE MUSEUM IN LOS ANGELES, CALIFORNIA.

PHOTO © A. ZAHNER COMPANY.

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Underneath the Roof of the Petersen Automotive Museum.

UNDERNEATH THE ROOF OF THE PETERSEN AUTOMOTIVE MUSEUM.

PHOTO © A. ZAHNER COMPANY.

Structural Steel

A new structural steel exoskeleton was needed to carry the loads from the red corrugated rainscreen as well as the cantilevered stainless steel ribbons which arch over the rooftop to provide shading for a private event space.

Working with the designers’ 3D models, Zahner’s team of engineers developed a series of tree-like forms in structural steel to support the ZEPPS Ribbon assemblies. The structural steel skeleton was inspired by hot rod manifolds to serve the dual purpose of providing aesthetic cohesiveness as well as functional support for cantilevered elements of the design. The structural ‘trees’ support the ribbons that flow over the roof area, as well as the Fairfax Ave ground level ribbons.

The ZEPPS ribbons required custom curved structural steel within each unit. Zahner mapped out each curved radius using the 3D model, allowing for fabrication in the shop to be handled quickly and precisely.

Custom Corrugated Aluminum

Painted aluminum acts as the backdrop for the stainless steel ZEPPS forms, echoing the concept of a sports car in bright red intensity. The aluminum was completely custom, and unlike any standard corrugated pattern. The corrugated profile formed an exact 90 degree angle, versus the typical sine wave that is commonly seen in corrugated metals.

To accommodate for the custom nature of this design element, Zahner formed each of the corrugated panels in house, utilizing a custom die within the press brake.

ImageWall Screenwall for the Petersen Parking Enclosure

As a continuation of the stainless steel ribbons, the design team also selected a painted red aluminum ImageWall for the Museum’s Parking Garage. Using Zahner’s patented technology, ImageWall uses perforated holes to map an image across multiple panels. In this case, the image provides cohesiveness, and ties the parking garage in with the larger facade.

ImageWall Screenwall enclosing the Parking Structure of the Petersen Automotive Museum.

IMAGEWALL SCREENWALL ENCLOSING THE PARKING STRUCTURE OF THE PETERSEN AUTOMOTIVE MUSEUM.

PHOTO © A. ZAHNER COMPANY.

Detail of the screenwall facade of the Petersen Automotive Museum.

DETAIL OF THE SCREENWALL FACADE OF THE PETERSEN AUTOMOTIVE MUSEUM.

PHOTO © A. ZAHNER COMPANY.

Parking Structure Screenwall at the Petersen Automotive Museum in Los Angeles, California.

PARKING STRUCTURE SCREENWALL AT THE PETERSEN AUTOMOTIVE MUSEUM IN LOS ANGELES, CALIFORNIA.

PHOTO © A. ZAHNER COMPANY.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24112219/1_petersen-museum-c-zahner-tex-jernigan-8531.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-08-15 23:31:532025-05-05 08:14:56The Petersen

Patio de las Jacarandas

August 15, 2016/in Exterior Architecture, Landscape Architecture Pergola, Public Art Aguascalientes--Mexico, Central Mexico, Mexico Arturo Revilla and Jose Luis Jimenez Garcia, Hendrix + Studio Jan Hendrix White L /by cmorris

Patio de las Jacarandas at Aguascalientes, Mexico

Patio de Las Jacarandas is a Jan Hendrix and Hendrix Studio-designed work of public art in Aguascalientes, Mexico. The project’s metal canopy was developed and fabricated by Zahner in water-jet cut aluminum.

Situated at the historic Plaza de la Patria in Aguascalientes, the Patio de las Jacarandas is an architectural open-air canopy. Arturo Revilla and Jose Luis Jimenez Garcia served as the project’s architects, while Zahner’s scope on the project centered around the engineering and fabrication of the art canopy.

The system was engineered and tested by Zahner, and then manufactured and delivered to the jobsite where local installers erected the screen wall. The project was completed in 2015, and features a two-tiered canopy of water jet-cut aluminum plates. Both layers of cut-out metal are painted to create the white ¼” aluminum plate.

The Patio de las Jacarandas provides a place to gather in Aguascalientes.

The Patio de las Jacarandas provides a place to gather in Aguascalientes.

Photo © Jaime Navarro.

The Patio de las Jacarandas provides a place to gather in Aguascalientes.

The Patio de las Jacarandas provides a place to gather in Aguascalientes.

Photo © Jaime Navarro.

The Jan Hendrix canopy mirrors the surrounding plant life at Aguascalientes.

The Jan Hendrix canopy mirrors the surrounding plant life at Aguascalientes.

Photo © Jaime Navarro.

Overhead view of the Aguascalientes project.

Overhead view of the Aguascalientes project.

Photo © Jaime Navarro.

Canopy Filtered Shading with Diaphanous Light

Two layers of waterjet cut artwork make up the roof of the Aguascalientes canopy. The first layer, suspended on the bottom of the canopy, shows the overlapping branches of the jacaranda tree. The second layer of cutout leaves is installed 16” above the lower ceiling canopy.

These two layers are held apart from one another using tension cables. The distance between each layer gives the illusion of peering through tree branches. Intriguing shadows are also created, offering an immersive, shaded area for pedestrians in the city square to rest beneath.

The canopy’s two layers are designed to evoke the jacaranda tree at different seasons of the year. This motif was selected by the artist due to its prevalence in Aguascalientes. Numerous jacarandas are planted in parks and public areas across the City of Aguascalientes as well as throughout central Mexico. Their blooms are heralded as a symbol of the beginning of the spring season, blooming in February.

Patio de las Jacarandas in Aguascalientes, Mexico.

Patio de las Jacarandas in Aguascalientes, Mexico.

PHOTO © JAIME NAVARRO.

Creating the Cut Plate Material

To accommodate the intricate lines, the artwork is fairly thin in some areas, ¼” aluminum plate was used to water jet-cut the desired pattern. Using plate material gives extra support for artwork, and keeps delicate lines from bending or becoming misshapen as the public interacts with the art.

Jan Hendrix supplied Zahner with models, sketches, and finished drawings of the artwork. Zahner team of design engineers translated the artwork into files for manufacturing and cutting the metal shapes out of the aluminum plate. After the cutting process was completed, the panels and structural components were painted white and sent to the job site in Mexico for installation.

Zahner fabricators pre-assemble the Hendrix-designed canopy in Kansas City.

Zahner fabricators pre-assemble the Hendrix-designed canopy in Kansas City.

Photo © A. Zahner Co.

Jan Hendrix model for the Patio de las Jacarandas canopy.

Jan Hendrix model for the Patio de las Jacarandas canopy.

Photo © A. Zahner Co.

Unique Column Design for Patio de Las Jacarandas

At the north end of the patio canopy, Jan Hendrix’s design extends down from the upper canopy into the gathering space, in the form of a perforated column. Although the surface appears as though it encases a structural support, the column is hollow with no enclosed structural support.

While the canopy depicts the leaves and branches of the jacaranda tree, the column shows the profile of their famous blooms. In this manner, the patio shows the entire lifespan for the blooms of the jacaranda through all four seasons.

This concept is further reinforced by the planting of several new jacaranda trees at the center of the patio. Throughout the years as the Patio de las Jacarandas sees further community interaction, the trees will continue to grow new blossoms each spring, creating a more impressive show each year.

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At the northern corner of the project, a plate aluminum column cuts through the canopy.

At the northern corner of the project, a plate aluminum column cuts through the canopy.

PHOTO © JAIME NAVARRO.

Related System

Column Cover

Custom column cover systems provide decorative and functional aspects to both interior and exterior architectural design. Column cover manufacturing has been a mainstay of A. Zahner Company's production for several decades, producing both custom and standard systems for designers all over the world.

The column system was assembled in three separate panels, which align together with such precision that the seams become nearly invisible. Panels on the upper canopy also translate the design without the visual appearance of seams.

To create this seamless look, Zahner examines the pattern’s parametric relationship, mapping out individual elements as they relate to the entire design. This way, lines and patterns can cross between various panels without being interrupted by ‘picture frame’ edges. This technology is used across the entire project, so that the construction methods do not become distracting to the artist’s design.

Opening gala event for the Patio de las Jacarandas in Aguascalientes, Mexico.

Opening gala event for the Patio de las Jacarandas in Aguascalientes, Mexico.

PHOTO © A. ZAHNER CO.

Opening Ceremony for the Patio de las Jacarandas

The opening ceremony took place during the Summer of 2015, and was attended by The Governor of Aguascalientes, Carlos Lozano de la Torre and his wife Blanca Rivera Rio Flores. The two were influential in bringing the project to the State of Aguascalientes.

Jan Hendrix, pictured with Governor Carlos Lozano de la Torre and his wife Blanca Rivera Rio Flores at the opening.

Jan Hendrix, pictured with Governor Carlos Lozano de la Torre and his wife Blanca Rivera Rio Flores at the opening.

PHOTO © A. ZAHNER CO.

Opening gala event for the Patio de las Jacarandas in Aguascalientes, Mexico.

Opening gala event for the Patio de las Jacarandas in Aguascalientes, Mexico.

PHOTO © A. ZAHNER CO.

Sunlight filters through the Jan Hendrix-designed canopy at Aguascalientes.

Sunlight filters through the Jan Hendrix-designed canopy at Aguascalientes.

Photo © Jaime Navarro.

Ground level fountain accents the canopy design at Aguascalientes.

Ground level fountain accents the canopy design at Aguascalientes.

Photo © Jaime Navarro.

Perforated metal canopy casts shadows at Aguascalientes, Mexico.

Perforated metal canopy casts shadows at Aguascalientes, Mexico.

PHOTO © JAIME NAVARRO.

PATIO DE LAS JACARANDAS, AGUASCALIENTES, MEXICO.

PHOTO @ JAIME NAVARRO

Patio de las Jacarandas, Aguascalientes, Mexico.

PATIO DE LAS JACARANDAS, AGUASCALIENTES, MEXICO.

PHOTO @ JAIME NAVARRO

Patio de las Jacarandas, Aguascalientes, Mexico.

PATIO DE LAS JACARANDAS, AGUASCALIENTES, MEXICO.

PHOTO © JAIME NAVARRO.

Patio de las Jacarandas, Aguascalientes, Mexico.

PATIO DE LAS JACARANDAS, AGUASCALIENTES, MEXICO.

PHOTO © JAIME NAVARRO.

Patio de las Jacarandas, Aguascalientes, Mexico.

PATIO DE LAS JACARANDAS, AGUASCALIENTES, MEXICO.

PHOTO © JAIME NAVARRO.

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Patio de las Jacarandas, Aguascalientes, Mexico.

PATIO DE LAS JACARANDAS, AGUASCALIENTES, MEXICO.

PHOTO © JAIME NAVARRO.

After the project was completed, Jan Hendrix was honored at the opening ceremony at the Patio de las Jacarandas. As an artist of renown who has moved into the architectural world, Hendrix has translated his works on paper into physical manifestations for communities all over the world.

Zahner has completed over a dozen works for Jan Hendrix, which are located in city centers and private collections around the globe.

https://e5awgs3wuhi.exactdn.com/wp-content/uploads/2020/07/24111930/1_patio-de-las-jacarandas-hendrix-018.jpg?strip=all&lossy=1&quality=92&webp=85&ssl=1 1080 1920 cmorris https://www.azahner.com/wp-content/uploads/2020/05/logo.svg cmorris2016-08-15 23:31:502021-12-01 08:17:25Patio de las Jacarandas
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